Manager Of Production Services
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Manager Of Production Services
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Manager Of Production Services
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Manager Of Production Services
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Manager Of Production Services
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Manager Of Production Services
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Manager Of Production Services
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Manager Of Production Services
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Manager Of Production Services
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Manager Of Production Services
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Production Manager: Rhythm & Hues
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Digital Producer
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Visual Effects Production Manager
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Visual Effects Production Manager
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Digital Effects Coordinator: Meteor Studios / Visual Effects Production Manager: Meteor Studios
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Visual Effects Coordinator
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Coordinator
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Production Assistant
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Production Assistant
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Visual Effects Production Coordinator: CFX
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Visual Effects Production Assistant: CFX
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Visual Effects Production Assistant: CFX
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Digital Production Assistant: CFX
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Assistant
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Visual Effects Production Assistant
Muppets from Space (1999)
Directed by: Tim Hill
Cinematography by: Alan Caso
Visual Effects Runner: CFC/MVFX
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Production Assistant
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
