Sound Effects Recordist
John Wick: Chapter 3 - Parabellum (2019)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Sound Designer / Sound Supervisor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Sound Design And Supervision, Supervising Sound Editor
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Sound Designer / Sound Supervisor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Sound Editor
The November Man (2014)
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Additional Sound Editor
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Sound Designer / Sound Supervisor / Supervising Sound Editor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Sound Designer / Sound Supervisor
'Game of Thrones' The Old Gods and the New (2012)
Directed by: David Nutter
Cinematography by: Martin Kenzie
Edited by: Oral Norrie Ottey
Sound Designer / Sound Supervisor
'Game of Thrones' Blackwater (2012)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Oral Norrie Ottey
Sound Designer / Sound Supervisor
'Game of Thrones' Valar Morghulis (2012)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Frances Parker
Sound Designer / Sound Supervisor
'Game of Thrones' The Prince of Winterfell (2012)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Frances Parker
Sound Designer / Sound Supervisor
'Game of Thrones' A Man Without Honor (2012)
Directed by: David Nutter
Cinematography by: Martin Kenzie
Edited by: Oral Norrie Ottey
Sound Designer / Sound Supervisor
'Game of Thrones' The Ghost of Harrenhal (2012)
Directed by: David Petrarca
Cinematography by: Martin Kenzie
Edited by: Katie Weiland
Sound Designer / Sound Supervisor
'Game of Thrones' Garden of Bones (2012)
Directed by: David Petrarca
Cinematography by: Martin Kenzie
Edited by: Katie Weiland
Sound Designer / Sound Supervisor
'Game of Thrones' What Is Dead May Never Die (2012)
Directed by: Alik Sakharov
Cinematography by: P.J. Dillon
Edited by: Katie Weiland
Sound Designer / Sound Supervisor
'Game of Thrones' The Night Lands (2012)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Frances Parker
Sound Designer / Sound Supervisor
'Game of Thrones' The North Remembers (2012)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Frances Parker
Sound Designer / Sound Supervisor
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Sound Designer / Sound Supervisor - 10 Episodes, 2012
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Supervising Sound Editor
The Big Bang (2010)
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Supervising Sound Editor
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Foley Artist
Monkeyshine (2008)
Directed by: Jamie Rae
Cinematography by: Daniel Anscombe
Edited by: Jack Garcia
Supervising Sound Editor
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Supervising Sound Editor
Finishing the Game: The Search for a New Bruce Lee (2007)
Directed by: Justin Lin
Cinematography by: Tom Clancey
Edited by: Greg Louie
Sound Designer / Supervising Sound Editor
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Sound Designer / Supervising Sound Editor
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Supervising Sound Editor
The Chumscrubber (2005)
Directed by: Arie Posin
Cinematography by: Lawrence Sher
Sound Effects Editor
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Sound Effects Editor
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Foley Editor
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Effects Editor
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Sound Effects Editor
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Sound Effects Editor
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Supervising Sound Editor
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Re-recording Mixer, Supervising Sound Editor
Spellbound (2002)
Directed by: Jeffrey Blitz
Edited by: Yana Gorskaya
Sound Effects Editor
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Supervising Sound Editor
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Hellraiser: Inferno (2000)
Directed by: Scott Derrickson
Cinematography by: Nathan Hope
Edited by: Kirk M. Morri
Sound Editor
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Sound Effects Editor
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Supervising Sound Editor
The Learning Curve (1999)
Directed by: Eric Schwab
Cinematography by: Michael Hofstein
Edited by: Adam C. Frank
Sound Effects Editor
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Dialogue Editor
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Dialogue Editor
A Murder of Crows (1998)
Directed by: Rowdy Herrington
Cinematography by: Robert Primes
Edited by: Harry B. Miller III
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Recordist
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
