Digital Compositor: ZOIC Vfx
'Once Upon a Time' Hyperion Heights (2017)
Directed by: Ralph Hemecker
Cinematography by: Tony Mirza
Digital Compositor: ZOIC Vfx
'Once Upon a Time' A Pirate's Life (2017)
Directed by: Tara Nicole Weyr
Cinematography by: Tony Mirza
Digital Compositor: ZOIC Vfx
'Once Upon a Time' The Garden of Forking Paths (2017)
Directed by: Ron Underwood
Cinematography by: Tony Mirza
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Beauty (2017)
Directed by: Mick Garris
Cinematography by: Tony Mirza
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Greenbacks (2017)
Directed by: Geofrey Hildrew
Cinematography by: Tony Mirza
Edited by: Jon Koslowsky
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Wake Up Call (2017)
Directed by: Sharat Raju
Cinematography by: Tony Mirza
Edited by: Joe Talbot Hall
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Eloise Gardener (2017)
Directed by: Alex Kalymnios
Cinematography by: Tony Mirza
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Pretty in Blue (2017)
Directed by: Ralph Hemecker
Cinematography by: Tony Mirza
Digital Compositor: Scanline VFX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor: Scanline VFX
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Compositor: Prime Focus
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Digital Compositor: Prime Focus
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Compositor: Prime Focus
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Compositor: Prime Focus
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Digital Compositor: LOOK Effects
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Compositor: Rhythm & Hues / Digital Compositor: Rhythm & Hues
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositor
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Digital Compositor: ZOIC Vfx
'Once Upon a Time' The Miller's Daughter (2013)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Digital Compositor: ZOIC Vfx
'Once Upon a Time' The Queen Is Dead (2013)
Directed by: Gwyneth Horder-Payton
Cinematography by: Stephen Jackson
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Welcome to Storybrooke (2013)
Directed by: David Barrett
Cinematography by: Stephen Jackson
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Selfless, Brave and True (2013)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Lacey (2013)
Directed by: Milan Cheylov
Cinematography by: Stephen Jackson
Edited by: Mark Goldman
Digital Compositor: ZOIC Vfx
'Once Upon a Time' The Evil Queen (2013)
Directed by: Gwyneth Horder-Payton
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Digital Compositor: ZOIC Vfx
'Once Upon a Time' Second Star to the Right (2013)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Edited by: Scot J. Kelly
Digital Compositor: Rhythm & Hues
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Compositing Td: Rhythm And Hues
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Compositor: Rhythm & Hues
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor: ZOIC Vfx - 15 Episodes, 2013-2017
Once Upon a Time (2011)
Directed by: Ralph Hemecker, Ron Underwood, Dean White, Romeo Tirone, Steve Pearlman, Gwyneth Horder-Payton, Billy Gierhart, David Solomon, Milan Cheylov, Alrick Riley, Eagle Egilsson, David Barrett, Paul A. Edwards, Guy Ferland, Mario Van Peebles, Geofrey Hildrew, Jon Amiel, Morgan Beggs, Mick Garris, Sharat Raju, Greg Beeman, Mark Mylod, Victor Nelli Jr., Anthony Hemingway, Bryan Spicer, Michael Waxman, David Boyd, Ciaran Donnelly, Andy Goddard, Alex Zakrzewski, Ernest R. Dickerson, Adam Horowitz, Mairzee Almas, Norman Buckley, Rob Duncan, Eriq La Salle, Jennifer Lynch, Craig Powell, Alex Kalymnios, Michael Schultz, Tara Nicole Weyr, Kate Woods, Tessa Blake, Nina Lopez-Corrado, Steve Miner, Antonio Negret, Lana Parrilla, Ellen S. Pressman
Compositor: MPC
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Compositor: CIS Vancouver
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Compositor: MPC
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Compositor: Framestore
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Compositor: Framestore
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Digital Compositor
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Digital Compositor: Framestore
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Digital Compositor: Framestore
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Compositor: CafeFX
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Compositor: Atmosphere
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Digital Compositor: Atmosphere VFX
Babylon 5: The Lost Tales (2007)
Cinematography by: Karl Herrmann
Edited by: Stein Myhrstad
Digital Compositor: CafeFX
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: 'Sniffer', Atmosphere Feature Effects
Air Buddies (2006)
Directed by: Robert Vince
Cinematography by: Mike Southon
Compositor
Desolation Sound (2005)
Directed by: Scott Weber
Cinematography by: Randal Platt
Edited by: Roger Mattiussi
