Senior Compositor: Sony Pictures Imageworks
Spider-Man: Across the Spider-Verse (2023)
Edited by: Mike Andrews
Digital Compositor: Double Negative
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Digital Artist: Double Negative
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Digital Compositor: Double Negative
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Senior Compositor: Sony Pictures Imageworks
Spider-Man: Into the Spider-Verse (2018)
Edited by: Robert Fisher Jr.
Digital Compositor: Double Negative
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Digital Compositor: Double Negative
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Digital Compositor: DNEG
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Digital Compositor: Double Negative
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Zoic
'Arrow' My Name Is Oliver Queen (2015)
Directed by: John Behring
Cinematography by: Gordon Verheul
Digital Compositor: Zoic
'Arrow' This Is Your Sword (2015)
Directed by: Wendey Stanzler
Cinematography by: Corey Robson
Edited by: Jessie Murray
Digital Compositor: Zoic
'Arrow' Al Sah-Him (2015)
Directed by: Thor Freudenthal
Cinematography by: Gordon Verheul
Digital Compositor: Digital Domain
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor: Zoic
'Arrow' The Fallen (2015)
Directed by: Antonio Negret
Cinematography by: Corey Robson
Digital Compositor: Zoic
'Arrow' Broken Arrow (2015)
Directed by: Douglas Aarniokoski
Cinematography by: Gordon Verheul
Edited by: Jessie Murray
Digital Compositor: Zoic
'Arrow' Green Arrow (2015)
Directed by: Thor Freudenthal
Cinematography by: Gordon Verheul
Edited by: Thomas Wallerstein
Digital Compositor: Zoic
'Arrow' Public Enemy (2015)
Directed by: Dwight H. Little
Cinematography by: Corey Robson
Digital Compositor: Zoic
'Arrow' Suicidal Tendencies (2015)
Directed by: Jesse Warn
Cinematography by: Gordon Verheul
Digital Compositor: Sony Pictures Imageworks / Senior Compositor: MPC
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects: LOOK! Effects
'Game of Thrones' The Watchers on the Wall (2014)
Directed by: Neil Marshall
Cinematography by: David Franco
Edited by: Katie Weiland
Digital Compositor: LOOK Effects
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Compositor: LOOK! Effects
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor: Sony Pictures Imageworks
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Digital Compositor: Sony Pictures Imageworks
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Compositor: Method Studios
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Compositing Technical Director: Rhythm & Hues
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Digital Compositor: Image Engine
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Compositing Technical Director: Rhythm & Hues
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Compositor: Zoic - 8 Episodes, 2015
Arrow (2012)
Directed by: James Bamford, John Behring, Glen Winter, Michael Schultz, Wendey Stanzler, Gregory Smith, Laura Belsey, Guy Norman Bee, Nick Copus, Jesse Warn, Gordon Verheul, Antonio Negret, Kristin Windell, Thor Freudenthal, Eagle Egilsson, Rob Hardy, Dermott Downs, Kevin Tancharoen, Mark Bunting, Ben Hernandez Bray, Joel Novoa, Tara Miele, David Barrett, Kenneth Fink, Douglas Aarniokoski, Mairzee Almas, J.J. Makaro, Ken Shane, Andi Armaganian, Alexandra La Roche, David Ramsey, John Dahl, David Grossman, Vincent Misiano, David Nutter, Michael Offer, Bethany Rooney, Peter Leto, Stephen Surjik, Larry Teng, Lexi Alexander, John Badham, Dwight H. Little, Charlotte Brändström, Kevin Fair, John F. Showalter, Mary Lambert, Katie Cassidy, Ruba Nadda, Patia Prouty, Marcus Stokes, Avi Youabian
Cinematography by: Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett
Edited by: Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HP Zoom Lenses
Stereoscopic Compositor
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Digital Compositor: Prime Focus
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Compositor: Prime Focus
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Visual Effects: LOOK! Effects - 1 Episode, 2014
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
