Executive Producer, Unit Production Manager
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Executive Producer, Unit Production Manager
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Executive Producer
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Executive Producer, Unit Production Manager
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Co-producer
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Line Producer
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Production Manager: Additional Shooting
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Unit Production Manager
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Production Manager
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Production Manager
Birthday Girl (2001)
Directed by: Jez Butterworth
Cinematography by: Oliver Stapleton
Edited by: Christopher Tellefsen
Production Manager
Love's Labour's Lost (2000)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Second Assistant Director
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Second Assistant Director
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Second Assistant Director: Russia
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Second Assistant Director
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Second Assistant Director
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Second Assistant Director
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Second Assistant Director
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Third Assistant Director
The Remains of the Day (1993)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Third Assistant Director
Chicago Joe and the Showgirl (1990)
Directed by: Bernard Rose
Cinematography by: Mike Southon
Edited by: Dan Rae
Third Assistant Director
The Krays (1990)
Directed by: Peter Medak
Cinematography by: Alex Thomson
Edited by: Martin Walsh
