Harrison Goldstein

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Geostorm | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Visual Effects Coordinator: Marvel Studio

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Terminator Genisys | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spectre | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Gunman | ShotOnWhat?

Visual Effects Line Producer: Double Negative

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Mission: Impossible - Rogue Nation | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Visual Effects Line Producer: Double Negative

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Exodus: Gods and Kings | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Ex Machina | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Ex Machina (2014)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

Paddington | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

Hercules | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transcendence | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Interstellar | ShotOnWhat?

Line Producer, Visual Effects Line Producer: Double Negative

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Visual Effects Line Producer: Double Negative

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Godzilla | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Seventh Son | ShotOnWhat?

Cg Production Manager: Rhythm & Hues

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Percy Jackson: Sea of Monsters | ShotOnWhat?

Cg Production Manager: Rhythm & Hues

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Django Unchained | ShotOnWhat?

Cg Production Manager: Rhythm & Hues

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Digital Production Manager: Rhythm & Hues

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games | ShotOnWhat?

Digital Production Manager: Rhythm & Hues

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Digital Production Manager: Rhythm & Hues

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Yogi Bear | ShotOnWhat?

Visual Effects Coordinator: Rhythm & Hues

Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Visual Effects Coordinator

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Land of the Lost | ShotOnWhat?

Visual Effects Coordinator

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

"The Guild" Total Wipe | ShotOnWhat?

Production Assistant

'The Guild' Total Wipe (2008)

Television Episode

Directed by: Greg Benson

Cinematography by: Carl Ratajski

Edited by: Greg Benson

The Guild | ShotOnWhat?

Production Assistant - 2 Episodes, 2007-2008

The Guild (2007)

Television Series

Directed by: Sean Becker, Greg Benson, Jane Selle Morgan, Christopher Preksta, Sean Becker, Kim Evey

Cinematography by: Chris Darnell, John Schmidt, Tahlee Scarpitti, Carl Ratajski, Jared Hoy

Edited by: Sean Becker, Matthew Philip Smith, Nick Towle, James Deuling, Jane Selle Morgan, Greg Benson, Matt Smith, Scott Turner, Kim Evey, Barry Gribble

"The Guild" Cheesybeards | ShotOnWhat?

Production Assistant

'The Guild' Cheesybeards (2007)

Television Episode

Directed by: Jane Selle Morgan

Cinematography by: Tahlee Scarpitti

Edited by: Jane Selle Morgan

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