Additional Audio
Texas Killing Fields (2011)
Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo
Cameras: Panavision Genesis Camera
Post Sound Operations
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Additional Sound
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Additional Sound
Monster's Ball (2001)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Cameras: ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Additional Sound
One Man's Hero (1999)
Directed by: Lance Hool
Cinematography by: João Fernandes
Edited by: Mark Conte
Additional Audio
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Additional Sound
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Additional Audio
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Additional Audio
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Additional Sound
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Additional Sound
The Crossing Guard (1995)
Directed by: Sean Penn
Cinematography by: Vilmos Zsigmond
Edited by: Jay Cassidy
Cameras: Panavision Cameras
Additional Audio
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Sound Effects Editor
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Additional Sound
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Digital Recordist
Immortal Beloved (1994)
Directed by: Bernard Rose
Cinematography by: Peter Suschitzky
Edited by: Dan Rae
Additional Audio
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Additional Sound
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Additional Sound
The Air Up There (1994)
Directed by: Paul Michael Glaser
Cinematography by: Dick Pope
Cameras: Panavision Cameras
Additional Sound Recordist
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Sound Assistant
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Additional Sound
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Additional Sound
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Digital Effects Recordist
Night and the City (1992)
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Additional Sound
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Additional Sound
Stop! Or My Mom Will Shoot (1992)
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Additional Sound
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Additional Audio
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Additional Sound
Armour of God 2: Operation Condor (1991)
Directed by: Jackie Chan
Cinematography by: Arthur Wong
Additional Audio
The Super (1991)
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Sound Effects Recordist
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Digital Sound Effects Recordist
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Sound Transfers: AUDIO TRACKS INC.
Darkman (1990)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Additional Audio
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Digital Sound Effects Recordist
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Additional Sound
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Restoration Sound Supervisor: Director's Cut
Das Boot (1981)
Directed by: Wolfgang Petersen
Cinematography by: Jost Vacano
Edited by: Hannes Nikel
Cameras: ARRI Cameras
