Visual Effects Production Manager: Shade VFX
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Production Manager: Shade VFX
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Visual Effects Production Manager: Shade VFX
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Visual Effects Coordinator
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Visual Effects Coordinator
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Visual Effects Coordinator
'Westworld' Akane no Mai (2018)
Directed by: Craig Zobel
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Visual Effects Coordinator
'Westworld' The Riddle of the Sphinx (2018)
Directed by: Lisa Joy
Cinematography by: John Grillo
Edited by: Andrew Seklir
Visual Effects Coordinator
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Visual Effects Coordinator
'Westworld' Reunion (2018)
Directed by: Vincenzo Natali
Cinematography by: John Grillo
Edited by: David Eisenberg
Visual Effects Coordinator
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Visual Effects Coordinator
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Visual Effects Coordinator - 7 Episodes, 2016-2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Visual Effects Coordinator
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Visual Effects Coordinator
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Visual Effects Coordinator
'Westworld' Dissonance Theory (2016)
Directed by: Vincenzo Natali
Cinematography by: Brendan Galvin
Edited by: Tanya M. Swerling
Visual Effects Coordinator
'Westworld' Contrapasso (2016)
Directed by: Jonny Campbell
Cinematography by: Robert McLachlan
Edited by: Mark Yoshikawa
Visual Effects Coordinator
'Westworld' The Adversary (2016)
Directed by: Frederick E.O. Toye
Edited by: Tanya M. Swerling
Visual Effects Coordinator
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
Visual Effects Coordinator
'Westworld' Trace Decay (2016)
Directed by: Stephen Williams
Edited by: Tanya M. Swerling
Visual Effects Coordinator
'True Detective' Other Lives (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Visual Effects Coordinator
'True Detective' Down Will Come (2015)
Directed by: Jeremy Podeswa
Cinematography by: Nigel Bluck
Visual Effects Coordinator
'True Detective' Church in Ruins (2015)
Directed by: Miguel Sapochnik
Cinematography by: Nigel Bluck
Visual Effects Coordinator
'True Detective' Black Maps and Motel Rooms (2015)
Directed by: Daniel Attias
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Visual Effects Coordinator
'True Detective' Omega Station (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Visual Effects Coordinator
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Visual Effects Coordinator: Shade VFX
'American Horror Story' Monsters Among Us (2014)
Directed by: Ryan Murphy
Cinematography by: Michael Goi
Edited by: Adam Penn
Production Coordinator
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Visual Effects Coordinator
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Production Coordinator
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Production Coordinator
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Coordinator - 5 Episodes, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Coordinator: Shade VFX
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Production Coordinator
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Visual Effects Coordinator
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Visual Effects Coordinator: Digital Domain
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Visual Effects Coordinator
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Visual Effects Coordinator: Shade VFX - 1 Episode, 2014
American Horror Story (2011)
Directed by: Bradley Buecker, Alfonso Gomez-Rejon, Michael Uppendahl, Loni Peristere, Michael Goi, Gwyneth Horder-Payton, Jennifer Lynch, Ryan Murphy, Michael Lehmann, David Semel, Howard Deutch, Jeremy Podeswa, Michael Rymer, Angela Bassett, Miguel Arteta, Tim Hunter, John Scott, Craig Zisk, Anthony Hemingway, Nelson Cragg, Marita Grabiak, Elodie Keene, Alexis Ostrander, Barbara Brown, Rachel Goldberg, Liza Johnson, Maggie Kiley, Jennifer Arnold, Sheree Folkson, Sarah Paulson
Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba
Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Lenses, Panavision Lenses
Visual Effects Production Assistant: Digital Domain
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Visual Effects Production Assistant
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
