Compositor
Kin (2018)
Cinematography by: Larkin Seiple
Edited by: Mark Day
Cameras: ARRI ALEXA Mini Camera
Compositor
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Compositor
Molly's Game (2017)
Directed by: Aaron Sorkin
Cinematography by: Charlotte Bruus Christensen
Digital Compositor
'Into the Badlands' Chapter X: Palm of the Iron Fox (2017)
Directed by: Toa Fraser
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Digital Compositor
'Into the Badlands' Chapter IX: Red Sun, Silver Moon (2017)
Directed by: Toa Fraser
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Senior Compositor: Mr. X Inc.
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Compositing Manager: Mr. X Inc
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Senior Compositor: Mr. X Inc.
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Digital Compositor - 1 Episode, 2017
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Compositor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Digital Effects Supervisor: Mr. X Inc.
Pompeii (2014)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Compositing Supervisor: Mr. X Inc.
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Visual Effects Supervisor: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Effects Supervisor: Cinesite
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
2d Compositor: Cinesite
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Compositing Supervisor: Cinesite
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
2D Supervisor: Cinesite
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
2d Compositor: Cinesite
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Sequence Supervisor: Cinesite London
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
2D Sequence Lead: Cinesite
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Sequence Supervisor: Cinesite London
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Senior Compositor: Cinesite
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Senior Compositor: Cinesite London
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Senior Digital Compositor: Cinesite London
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Digital Compositor: Mr. X Inc.
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Inferno Artist: Toybox
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Inferno Artist: Toybox
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Digital Artist: Toybox
Jason X (2001)
Directed by: James Isaac
Cinematography by: Derick V. Underschultz
Edited by: David Handman
Digital Film Technician: Toybox
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
