Visual Effects: Cos Fx
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Visual Effects
Date Night (2010)
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Executive Producer
Pete Smalls Is Dead (2010)
Directed by: Alexandre Rockwell
Cinematography by: Kai Orion
Visual Effects Supervisor: Cos Fx Films, Inc.
Juno (2007)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Visual Effects Producer / Visual Effects Supervisor
Thank You for Smoking (2005)
Directed by: Jason Reitman
Cinematography by: Jim Whitaker
Edited by: Dana E. Glauberman
Visual Effects Supervisor: Digital Filmworks
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Visual Effects Supervisor
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Visual Effects Producer: Digital FilmWorks / Visual Effects Supervisor: Digital FilmWorks
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Title Designer: Main Titles, Visual Effects Producer / Visual Effects Supervisor
The Clearing (2004)
Directed by: Pieter Jan Brugge
Cinematography by: Denis Lenoir
Edited by: Kevin Tent
Visual Effects Supervisor
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor: Digital Filmworks
Club Dread (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor: Digital Filmworks
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor: Digital Filmworks
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Visual Effects Supervisor
Gothika (2003)
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
Visual Effects Supervisor
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Visual Effects Supervisor
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor: Digital Filmworks
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Visual Effects Supervisor
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Producer: Digital Filmworks
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Co-executive Producer, Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor: Digital Filmworks
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Scanning And Recording: Digital Filmworks
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Visual Effects Supervisor: Digital Filmworks
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Supervisor/producer: Digital Filmworks
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Visual Effects Supervisor
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Additional Visual Effects
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Visual Effects Producer: Digital Filmworks / Visual Effects Supervisor: Digital Filmworks
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Scanning And Film Recording
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Visual Effects Producer: Digital Filmworks
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Visual Effects Supervisor
Exit Wounds (2001)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Visual Effects Supervisor
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Visual Effects Supervisor
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Executive Effects Producer: Digital Filmworks
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Scanning And Film Recording
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Digital Effects Producer: Digital Filmworks
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Digital Effects Producer: Digital Filmworks, Inc.
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Visual Effects
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Digital Visual Effects Producer: Digital FilmWorks, Inc.
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Visual Effects
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Digital Visual Effects Producer: Digital Filmworks
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
Smilla's Sense of Snow (1997)
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Digital Effects Supervisor: Digital Filmworks
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Visual Effects
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Digital Scanning & Film Recording
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Digital Scanning And Film Recording: Digital Film Works Inc.
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Visual Effects Supervisor: Pacific Ocean Post
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Optical Supervisor
Jury Duty (1995)
Directed by: John Fortenberry
Cinematography by: Avraham Karpick
Edited by: Stephen Semel
Digital Optical Supervisor
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Optical Supervisor
Grand Tour: Disaster in Time (1992)
Directed by: David Twohy
Cinematography by: Harry Mathias
Optical Supervisor: Apogee Productions
Child's Play 3 (1991)
Directed by: Jack Bender
Cinematography by: John R. Leonetti
Optical Department
My Stepmother Is an Alien (1988)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Optical Camera Assistant: Apogee, Inc.
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Photographic Effects Photography: Apogee, Inc.
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay