Digital Matte Painter: Milk VFX
'Sherlock' The Six Thatchers (2017)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Digital Matte Painter: Milk VFX
Free Fire (2016)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Digital Matte Painter: Double Negative - Double Negative
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Digital Matte Painter: Double Negative
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Digital Matte Painter: Milk-vfx
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Matte Painter: Milk-vfx
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Matte Painter: Milk-vfx
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Matte Painter: Milk-vfx
'Doctor Who' Face the Raven (2015)
Directed by: Justin Molotnikov
Cinematography by: Mike Spragg
Edited by: Mike Jones
Matte Painter: Milk-vfx
'Doctor Who' Heaven Sent (2015)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Matte Painter: Milk-vfx
'Doctor Who' Hell Bent (2015)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Matte Painter: Milk-vfx
'Doctor Who' Sleep No More (2015)
Directed by: Justin Molotnikov
Cinematography by: Mark Waters
Edited by: Mike Jones
Matte Artist
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Digital Matte Painter: Double Negative
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Digital Matte Painter: Double Negative
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Matte Painter: Double Negative
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Matte Artist: Cinesite
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Environment Artist: Cinesite
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Matte Artist: Double Negative
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Post Vis Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Matte Artist: Cinesite
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Digital Matte Painter: Reliance MediaWorks/Digital Domain London
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Matte Artist: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Compositor
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Previz
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Digital Compositor / Visual Effects Supervisor
The Boy Who Became King (2010)
Directed by: Trudy Sargent
Cinematography by: Michael Nie
Edited by: Kant Pan
Visual Effects Artist
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Digital Matte Painter: Milk VFX - 1 Episode, 2017
Sherlock (2010)
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
Matte Artist
Book of Blood (2009)
Directed by: John Harrison
Cinematography by: Philip Robertson
Edited by: Harry B. Miller III
Matte Artist
Princess Kaiulani (2009)
Directed by: Marc Forby
Cinematography by: Gabriel Beristain
Edited by: Beverley Mills
Digital Matte Artist: Men From Mars
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Digital Artist
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Matte Artist
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Digital Compositor
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
Digital Compositor
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Title Designer
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Digital Compositor
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Digital Compositor
The Upside of Anger (2005)
Directed by: Mike Binder
Cinematography by: Richard Greatrex
Digital Compositor
The Long Weekend (2005)
Directed by: Pat Holden
Cinematography by: Brian Pearson
Edited by: Martin Brinkler
Matte Painter: Milk-vfx - 4 Episodes, 2015
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
Digital Compositor
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Digital Compositor / Opticals
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Visual Effects Assistant
The Adventures of Pinocchio (1996)
Directed by: Steve Barron
Cinematography by: Juan Ruiz Anchía
Edited by: Sean Barton
Visual Effects Assistant
Hamlet (1996)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell
