Visual Effects Executive Producer: Digital Domain
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Visual Effects Executive Producer: Digital Domain
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Visual Effects Executive Producer: Digital Domain
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Visual Effects Executive Producer: Digital Domain
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Executive Producer: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Visual Effects Executive Producer: Digital Domain
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Executive Producer: Digital Domain
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Visual Effects Executive Producer: Digital Domain
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Visual Effects Executive Producer: Digital Domain
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Visual Effects Executive Producer: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Digital Domain
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Visual Effects Executive Producer: Digital Domain
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Visual Effects Executive Producer
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Visual Effects Executive Producer: Digital Domain
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Visual Effects Executive Producer: Digital Domain
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Digital Domain
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Producer: Digital Domain
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Visual Effects Executive Producer: Digital Domain
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Visual Effects Executive Producer: Digital Domain
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Visual Effects Executive Producer: Digital Domain
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Executive Producer: Digital Domain
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Executive In Charge: Digital Domain
Edtv (1999)
Directed by: Ron Howard
Cinematography by: John Schwartzman
Visual Effects Executive Producer: Digital Domain
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Executive In Charge Of Visual Effects Production: Digital Domain
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Executive In Charge Of Visual Effects Production: Digital Domain
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Visual Effects Producer: R/Greenberg Associates West
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Visual Effects Producer: R/Greenberg Associates West, Inc., New York
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Producer: R/Greenberg Associates Inc.
Predator 2 (1990)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Project Producer: R/Greenberg
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon