Carson E. Mayne

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Allegiant | ShotOnWhat?

Best Boy Electric Vfx Unit

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Hail, Caesar! | ShotOnWhat?

Rigging Electric

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Best Boy Rigging Electric

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Best Boy Rigging Electric

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Man of Steel | ShotOnWhat?

Rigging Electrician

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Rigging Electrician

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Super 8 | ShotOnWhat?

Assistant Chief Lighting Technician

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

The Kids Are All Right | ShotOnWhat?

Rigging Electrician

The Kids Are All Right (2010)

Directed by: Lisa Cholodenko

Cinematography by: Igor Jadue-Lillo

Edited by: Jeffrey M. Werner

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses: Zeiss Ultra Prime Lenses

Race to Witch Mountain | ShotOnWhat?

Best Boy Electric

Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Hotel for Dogs | ShotOnWhat?

Best Boy Electric

Hotel for Dogs (2009)

Directed by: Thor Freudenthal

Cinematography by: Michael Grady

Edited by: Sheldon Kahn

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

What Just Happened | ShotOnWhat?

Rigging Gaffer

What Just Happened (2008)

Directed by: Barry Levinson

Cinematography by: Stéphane Fontaine

Edited by: Hank Corwin

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera

Editing System: Avid Editing System

Cloverfield | ShotOnWhat?

Electrician

Cloverfield (2008)

Directed by: Matt Reeves

Cinematography by: Michael Bonvillain

Edited by: Kevin Stitt

Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Rigging Electric

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Dreamgirls | ShotOnWhat?

Rigging Electrician

Dreamgirls (2006)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Rigging Electrician

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Lot Like Love | ShotOnWhat?

Rigging Electrician

A Lot Like Love (2005)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Susan Littenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Kill Bill: Vol. 2 | ShotOnWhat?

Rigging Electrician

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Series of Unfortunate Events | ShotOnWhat?

Rigging Electrician

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 1 | ShotOnWhat?

Rigging Electric

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Down with Love | ShotOnWhat?

Rigging Electrician

Down with Love (2003)

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Orange County | ShotOnWhat?

Best Boy Rigging Electric

Orange County (2002)

Directed by: Jake Kasdan

Cinematography by: Greg Gardiner

Edited by: Tara Timpone

Two for Texas | ShotOnWhat?

Best Boy Electric

Two for Texas (1998)

Television Movie

Directed by: Rod Hardy

Cinematography by: David Connell

Edited by: Michael D. Ornstein

The Night Flier | ShotOnWhat?

Electrician

The Night Flier (1997)

Directed by: Mark Pavia

Cinematography by: David Connell

Edited by: Elizabeth Schwartz

Blink | ShotOnWhat?

Electrician

Blink (1993)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

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