Nikon - Nikkor | 71 Titles
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Down and Dangerous (2013)
Directed by | Zak Forsman | Cinematography by | Zak Forsman, Sam Krueger | Editing by | Jamie Cobb
Cameras | Panasonic AG-AF100 Camera
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
Malèna (2000)
Directed by | Giuseppe Tornatore | Cinematography by | Lajos Koltai | Editing by | Massimo Quaglia
Cameras | Panavision Cameras
Lenses | Panavision Primo Anamorphic Lenses
Mr. Hush (2010)
Directed by | David Lee Madison | Cinematography by | Jack Schaefer | Editing by | Eleanor Madison
Cameras | Red One Camera
Chasing the Light (2011)
Directed by | Robert Henry | Cinematography by | Kelly Travis | Editing by | Andrew W. Chan, David Henry, Robert Henry, Alex Miskei, Allan Spencer Wall
Cameras | Red One Camera
Frankenweenie (2012)
Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon
Cameras | Canon EOS-5D Mark II Camera
Camp Nowhere (1994)
Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll
Lenses | Panavision Primo Anamorphic Lenses
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
The NeverEnding Story (1984)
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz
Lenses | Technovision Lenses
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
The Last Reef 3D (2012)
Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas
Monsters (2010)
Directed by | Gareth Edwards | Cinematography by | Gareth Edwards | Editing by | Colin Goudie
Cameras | Sony PMW-EX3 Camera
U-571 (2000)
Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Roseanna’s Grave (1997)
Frost/Nixon (2008)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
DragonHeart (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
