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It Follows (2014)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV

Starring | Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe

Cameras | ARRI ALEXA Plus Camera, Red Epic Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Fujinon Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Timbuktu (2014)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Directed by | Abderrahmane Sissako | Cinematography by | Sofian El Fani | Editing by | Nadia Ben Rachid

Starring | Ibrahim Ahmed, Abel Jafri, Toulou Kiki, Layla Walet Mohamed

Cameras | ARRI ALEXA Plus Camera

Lenses | Cooke S4 Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

Dumb and Dumber To (2014)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch

Starring | Jim Carrey, Jeff Daniels, Rob Riggle, Laurie Holden

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Annabelle (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | John R. Leonetti | Cinematography by | James Kniest | Editing by | Tom Elkins

Starring | Ward Horton, Annabelle Wallis, Alfre Woodard, Tony Amendola

Cameras | ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Fuga de cerebros 2 (2011)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón

Starring | Adrián Lastra, Alberto Amarilla, Hannah New, David Hasselhoff

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses

Body Language (2014)

Short Film | 2D | Color | 11 Minutes

Directed by | Maéva Thibeault | Cinematography by | Ian MacDougall | Editing by | Richard Macdonald, Maéva Thibeault, Mackenzie Warner

Starring | Ben Cotton, Rebekah Asselstine, Jessica Harmon, Craig March

Cameras | Red Digital Cinema Cameras, Red Epic Camera

Lenses | Fujinon Cabrio (ZK3.5 × 85) 85-300mm T2.9/4.0 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Ultra Prime Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Son of God (2014)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall

Starring | Diogo Morgado, Amber Rose Revah, Greg Hicks, Adrian Schiller

Cameras | ARRI ALEXA Plus Camera

Lenses | ARRI / Fujinon Lenses

Le crocodile du Botswanga (2014)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak

Starring | Thomas N'Gijol, Fabrice Eboué, Claudia Tagbo, Ibrahim Koma

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses

Poison Sky (0)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 120 Minutes

Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo

Starring | Tyler Gallant, Kevin Sorbo, Nicole A. Randall, Greg Joseph

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

The Fifth Estate (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz

Starring | Benedict Cumberbatch, Daniel Brühl, Carice van Houten, Alicia Vikander

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

X-Men: Days of Future Past (2014)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | Patrick Stewart, Ian McKellen, Hugh Jackman, James McAvoy

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Bones (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Starring | Emily Deschanel, David Boreanaz, Michaela Conlin, T.J. Thyne

Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

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