Angenieux | 766 Titles
Elizabeth: The Golden Age (2007)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Brightness (1987)
Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo
Cameras | ARRIFLEX 35 BL4 Camera
An le zhan chang (1989)
Directed by | Eric Tsang | Cinematography by | Jingle Ma | Editing by | Sun-Kit Chu, Ma Kam, Chai Sek
Cameras | ARRIFLEX 35 BL4 Camera
Ah Long dik goo si (1989)
Directed by | Johnnie To | Cinematography by | Wing-Hang Wong | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Marie Antoinette (2006)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera
Match Point (2005)
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
La délicatesse (2011)
Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant
Cameras | Aaton Penelope Camera
Melancholia (2011)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Molly Malene Stensgaard
Cameras | ARRI ALEXA Camera, Phantom HD Gold Camera
Hei mao zhi ci sha Ye Li Qin (1992)
Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
The Clink of Ice (2010)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier
Cameras | Aaton Penelope Camera
Autoreiji (2010)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano
Cameras | ARRIFLEX 535 B Camera
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
Inside Job (2010)
Directed by | Charles Ferguson | Cinematography by | Svetlana Cvetko, Kalyanee Mam | Editing by | Chad Beck, Adam Bolt
Cameras | Red One Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Jodhaa Akbar (2008)
Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Katy Perry: Part of Me (2012)
Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Hope Springs (2012)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg
Cameras | ARRI ALEXA Camera
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses