Preston Cinema Systems | 78 Titles
Silent Hill: Revelation 3D (2012)
Directed by | M.J. Bassett | Cinematography by | Maxime Alexandre | Editing by | Michele Conroy
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Leaves of Grass (2009)
Directed by | Tim Blake Nelson | Cinematography by | Roberto Schaefer | Editing by | Michelle Botticelli
Cameras | Red One Camera
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
The Mothman Prophecies (2002)
Directed by | Mark Pellington | Cinematography by | Fred Murphy | Editing by | Brian Berdan
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Quantum of Solace (2008)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Stranger Than Fiction (2006)
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Katy Perry: Part of Me (2012)
Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Step Up Revolution (2012)
Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Finding Neverland (2004)
Four Brothers (2005)
Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon, Billy Fox
Dark Country (2009)
Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Lenses | Angenieux Lenses, Schneider Lenses
The Kite Runner (2007)
The Beverly Hillbillies (1993)
Directed by | Penelope Spheeris | Cinematography by | Robert Brinkmann | Editing by | Ross Albert
Cameras | ARRIFLEX 535 B Camera
Son of Rambow (2007)
Directed by | Garth Jennings | Cinematography by | Jess Hall | Editing by | Dominic Leung
Cameras | Panavision Cameras
Lenses | Panavision Lenses