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Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Cineastes (2014)

Motion Picture | 2D | 4K Project | Black & White | 21 Minutes

Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo

Starring | Yorgos Karamihos, Lydia Muijen, Scarlett Redmond, Masha Arielle

Cameras | ARRI ALEXA Series Cameras

Lenses | Zeiss Lenses

Get Hard (2015)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale

Starring | Will Ferrell, Kevin Hart, Alison Brie, T.I.

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Canon USA Commercial: Rhythm of Life (2013)

Motion Picture | 2D | 4K Project | Color | 1.90:1 |

Directed by | Dean Hargrove | Cinematography by | Steven Poster | Editing by | Peter Harding, Scott Sheppard

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

Con Games (2001)

Direct to Video | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee

Starring | Eric Roberts, Tommy Lee Thomas, Martin Kove, Ross Nolan

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux Lenses

Kelly & Cal (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper

Starring | Juliette Lewis, Jonny Weston, Josh Hopkins, Cybill Shepherd

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk V-Series Lenses

Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Stranger in the House (2015)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase

Starring | Annabella Sciorra, Dennis Boutsikaris, Tammy Blanchard, Nathan Darrow

Cameras | ARRI ALEXA Series Cameras

Lenses | Panavision PVintage Prime Lenses

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Hemlock Grove (2013)

Television Series, Web Series | 2D | Color | 1.78:1 (16x9) | 46 Minutes

| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson

Starring | Famke Janssen, Bill Skarsgård, Landon Liboiron, Joel de la Fuente

Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

Last Shift (2014)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi

Starring | Juliana Harkavy, Joshua Mikel, Hank Stone, J. LaRose

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lenses

Gimme the Loot (2012)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust

Starring | Ty Hickson, Tashiana Washington, Joshua Rivera, Zoë Lescaze

Cameras | Sony Cameras, Sony HDW-F900R Camera

Lenses | Canon Lenses

Pursuit of Happiness (2001)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian

Starring | Frank Whaley, Annabeth Gish, Amy Jo Johnson, Patrick Van Horn

Cameras | ARRIFLEX 35 Camera

Lenses | Angenieux Lenses, Cooke Lenses

For Your Consideration (2006)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

For Your Consideration | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest

Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

The Paperboy (2012)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

The Paperboy | ShotOnWhat?

Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz

Starring | Matthew McConaughey, Nicole Kidman, John Cusack, Zac Efron

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Stay (2005)

Motion Picture | 2D | Color | 2.35:1 | 15 Minutes

Stay | ShotOnWhat?

Directed by | David Brind | Cinematography by | Kenneth Wilson II

Starring | Tessa Auberjonois, Louis Cancelmi, John Boyd, Adriana DeMeo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Cockneys vs Zombies (2012)

Motion Picture | 2D | Color | 88 Minutes

Cockneys vs Zombies | ShotOnWhat?

Directed by | Matthias Hoene | Cinematography by | Daniel Bronks | Editing by | Neil Farrell, John Palmer

Starring | Rasmus Hardiker, Harry Treadaway, Michelle Ryan, Ashley Thomas

Cameras | ARRI Cameras

Lenses | Bausch & Lomb Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Liquid Bridge (2003)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Liquid Bridge | ShotOnWhat?

Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven

Starring | Ryan Kwanten, Simone Kessell, Jarrod Dean, Jeremy Sims

Cameras | ARRI Cameras, ARRIFLEX 35 BL4s Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke Lenses, Zeiss Lenses

The Moment After (1999)

Motion Picture | 2D | Color | 89 Minutes

The Moment After | ShotOnWhat?

Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn

Starring | Julie Link, Mike Wilson, David A.R. White, Kevin Downes

Cameras | Aaton Cameras

Lenses | Cooke Lenses

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