Digital Intermediate Finishing Process | 1761 Titles
The Last Song (2010)
Directed by | Julie Anne Robinson | Cinematography by | John Lindley | Editing by | Nancy Richardson
Obsessed (2009)
Directed by | Steve Shill | Cinematography by | Ken Seng | Editing by | Paul Seydor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Schemer (2010)
Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
Eat Pray Love (2010)
The Green Hornet (2011)
Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Straw Dogs (2011)
Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Harry Potter and the Half-Blood Prince (2009)
Directed by | David Yates | Cinematography by | Bruno Delbonnel | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Gainsbourg: A Heroic Life (2010)
Directed by | Joann Sfar | Cinematography by | Guillaume Schiffman | Editing by | Maryline Monthieux
Page Eight (2011)
Directed by | David Hare | Cinematography by | Martin Ruhe | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses
Pineapple Express (2008)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
The Golden Compass (2007)
Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent
Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Gone Baby Gone (2007)
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
The Broken (2008)
Clash of the Titans (2010)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
Cold Mountain (2003)
