Digital Intermediate Finishing Process | 1730 Titles
Duplicity (2009)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | Panavision Panaflex Platinum Camera
House of Flying Daggers (2004)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera
Lenses | Cooke Lenses, Zeiss Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
X: First Class (2011)
Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Shadowboxer (2005)
Directed by | Lee Daniels | Cinematography by | M. David Mullen | Editing by | William Chang, Brian A. Kates
Adoration (2008)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton, Issac Solemon
Pars vite et reviens tard (2007)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Tower Heist (2011)
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
Casa de mi Padre (2012)
Directed by | Matt Piedmont | Cinematography by | Ramsey Nickell | Editing by | David Trachtenberg
Cameras | Panavision Panaflex Gold II Camera
La conquête (2011)
Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz
Cameras | Moviecam Compact Camera
2 Days in New York (2012)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera
Le code a changé (2009)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | Moviecam Compact MK2 Camera
Oldeuboi (2003)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
Diary of a Wimpy Kid (2010)
Directed by | Thor Freudenthal | Cinematography by | Jack N. Green | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Otter 501 (2012)
Directed by | Bob Talbot | Cinematography by | Mark Shelley | Editing by | Shirley Gutierrez
Cameras | Canon EOS-5D Mark II Camera, Cineflex V14HD Camera
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
Bored to Death (2009)
| Cinematography by | Vanja Cernjul | Editing by | Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
