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Digital Intermediate Finishing Process | 1761 Titles

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Tower Heist (2011)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Tower Heist | ShotOnWhat?

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich

Starring | Eddie Murphy, Ben Stiller, Casey Affleck, Alan Alda

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

A Better Life (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert

Starring | Demián Bichir, José Julián, Eddie 'Piolin' Sotelo, Joaquín Cosio

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Casa de mi Padre (2012)

Motion Picture | 2D | Color | 2.35:1 | 84 Minutes

Casa de mi Padre | ShotOnWhat?

Directed by | Matt Piedmont | Cinematography by | Ramsey Nickell | Editing by | David Trachtenberg

Starring | Will Ferrell, Gael García Bernal, Diego Luna, Nick Offerman

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

La conquête (2011)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz

Starring | Denis Podalydès, Florence Pernel, Bernard Le Coq, Michèle Moretti

Cameras | Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

2 Days in New York (2012)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

2 Days in New York | ShotOnWhat?

Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck

Starring | Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau

Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Le code a changé (2009)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Karin Viard, Dany Boon, Marina Foïs, Patrick Bruel

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Oldeuboi (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim

Starring | Min-sik Choi, Ji-tae Yu, Hye-jeong Kang, Dae-han Ji

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Madea’s Witness Protection (2012)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Madea’s Witness Protection | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Tyler Perry, Eugene Levy, Denise Richards, Tom Arnold

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

Living Hell (2008)

Television Movie | Color | 2.39:1 | 92 Minutes

Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove

Starring | Johnathon Schaech, Erica Leerhsen, James McDaniel, Jason Wiles

Cameras | Panavision Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Diary of a Wimpy Kid (2010)

Motion Picture | 2D | Color | 94 Minutes

Diary of a Wimpy Kid | ShotOnWhat?

Directed by | Thor Freudenthal | Cinematography by | Jack N. Green | Editing by | Wendy Greene Bricmont

Starring | Zachary Gordon, Robert Capron, Rachael Harris, Steve Zahn

Cameras | Panavision Cameras

Otter 501 (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 85 Minutes

Otter 501 | ShotOnWhat?

Directed by | Bob Talbot | Cinematography by | Mark Shelley | Editing by | Shirley Gutierrez

Cameras | Canon EOS-5D Mark II Camera, Cineflex V14HD Camera

Morning Glory (2010)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Morning Glory | ShotOnWhat?

Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg

Starring | Rachel McAdams, Harrison Ford, Diane Keaton, Noah Bean

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision G Series Anamorphic Lenses

Bored to Death (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 28 Minutes

Bored to Death | ShotOnWhat?

| Cinematography by | Vanja Cernjul | Editing by | Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits

Starring | Jason Schwartzman, Zach Galifianakis, Ted Danson, Heather Burns

Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera

Colombiana (2011)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

Colombiana | ShotOnWhat?

Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre

Starring | Zoe Saldaña, Michael Vartan, Callum Blue, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Apparition (2012)

Motion Picture | 2D | Color | 2.35:1 | 82 Minutes

The Apparition | ShotOnWhat?

Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker

Starring | Ashley Greene, Sebastian Stan, Tom Felton, Julianna Guill

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses

The Adjustment Bureau (2011)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz

Starring | Matt Damon, Emily Blunt, Lisa Thoreson, Florence Kastriner

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

The Dictator (2012)

Motion Picture | 2D | Color | 2.35:1 | 83 Minutes

The Dictator | ShotOnWhat?

Directed by | Larry Charles | Cinematography by | Lawrence Sher | Editing by | Greg Hayden, Eric Kissack

Starring | Sacha Baron Cohen, Anna Faris, John C. Reilly, Ben Kingsley

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses | Panavision Primo Anamorphic Lenses

Dorian Gray (2009)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Oliver Parker | Cinematography by | Roger Pratt | Editing by | Guy Bensley

Starring | Ben Barnes, Colin Firth, Rebecca Hall, John Hollingworth

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses

Sekai no chûshin de, ai o sakebu (2004)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Sekai no chûshin de, ai o sakebu | ShotOnWhat?

Directed by | Isao Yukisada | Cinematography by | Noboru Shinoda | Editing by | Takeshi Imai

Starring | Takao Ohsawa, Kô Shibasaki, Masami Nagasawa, Mirai Moriyama

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Salmon Fishing in the Yemen (2011)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Salmon Fishing in the Yemen | ShotOnWhat?

Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning

Starring | Ewan McGregor, Emily Blunt, Amr Waked, Kristin Scott Thomas

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

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