Digital Intermediate Finishing Process | 1761 Titles
An Education (2009)
Directed by | Lone Scherfig | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | ARRIFLEX 235 Camera
Lenses | Cooke Speed Panchro Lenses
I Killed My Mother (2009)
Directed by | Xavier Dolan | Cinematography by | Stéphanie Anne Weber Biron | Editing by | Hélène Girard
Cameras | Red One Camera
A Cinderella Story: Once Upon a Song (2011)
Directed by | Damon Santostefano | Cinematography by | John Peters | Editing by | Tony Lombardo
Cameras | Panavised Sony CineAlta F35 Camera
Lenses | Panavision Lenses
American Gun (2005)
Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by | Jan de Bont | Cinematography by | David Tattersall | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Struck by Lightning (2012)
Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan
Cameras | ARRI ALEXA Camera
Underworld: Rise of the Lycans (2009)
Directed by | Patrick Tatopoulos | Cinematography by | Ross Emery | Editing by | Peter Amundson, Eric Potter
Cameras | Panavision Genesis Camera, Red One Camera
Intolerable Cruelty (2003)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 535 Camera
Dreamgirls (2006)
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
Amarufi: Megami no hôshû (2009)
Directed by | Hiroshi Nishitani | Cinematography by | Hideo Yamamoto | Editing by | Masaaki Yamamoto
In Time (2011)
Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
August Rush (2007)
Directed by | Kirsten Sheridan | Cinematography by | John Mathieson | Editing by | William Steinkamp
Cameras | Panavision Cameras
Lenses | Panavision Lenses
What Happens in Vegas (2008)
Directed by | Tom Vaughan | Cinematography by | Matthew F. Leonetti | Editing by | Matt Friedman
Cameras | Panavision Cameras
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Departures (2008)
Directed by | Yôjirô Takita | Cinematography by | Takeshi Hamada | Editing by | Akimasa Kawashima
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Maiden Heist (2009)
Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
