Kodak Vision Color 2383/3383 | 582 Titles
Dreamer: Inspired by a True Story (2005)
Directed by | John Gatins | Cinematography by | Fred Murphy | Editing by | David Rosenbloom
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Red Riding Hood (2011)
Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong
The Lovely Bones (2009)
Leap Year (2010)
Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore
Cameras | Panavision Panaflex Millennium XL Camera
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
Brooklyn Rules (2007)
Ted (2012)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
American Beauty (1999) 
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury
Cameras | Panavision Panaflex Platinum Camera
The Road (2009)
Directed by | John Hillcoat | Cinematography by | Javier Aguirresarobe | Editing by | Jon Gregory
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Village (2004)
Directed by | M. Night Shyamalan | Cinematography by | Roger Deakins | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Takers (2010)
Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian
Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Cowboys & Aliens (2011)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Score (2001)
The Loss of a Teardrop Diamond (2008)
Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman
Cameras | Panavision Panaflex Platinum Camera
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
30 Days of Night (2007)
Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones
Cameras | Panavision Panaflex Millennium XL Camera
Green Lantern (2011)
Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
The Haunting (1999)
Directed by | Jan de Bont | Cinematography by | Karl Walter Lindenlaub | Editing by | Michael Kahn
Cameras | Panavision Cameras, VistaVision Cameras
Lenses | Panavision Lenses
Tower Heist (2011)
