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Fujifilm | 257 Titles

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Spy Kids: All the Time in the World in 4D (2011)

Motion Picture | 3D | Color | 1.85:1 | 89 Minutes

Spy Kids: All the Time in the World in 4D | ShotOnWhat?

Directed by | Robert Rodriguez | Cinematography by | Jimmy Lindsey, Robert Rodriguez | Editing by | Dan Zimmerman

Starring | Jessica Alba, Jeremy Piven, Joel McHale, Rowan Blanchard

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses

Red Tails (2012)

Motion Picture | 2D | Color | 2.35:1 | 125 Minutes

Red Tails | ShotOnWhat?

Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran

Starring | Cuba Gooding Jr., Gerald McRaney, David Oyelowo, Andre Royo

Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Abraham Lincoln: Vampire Hunter (2012)

Motion Picture | 2D, 3D | Color | 2.35:1 | 105 Minutes

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Directed by | Timur Bekmambetov | Cinematography by | Caleb Deschanel | Editing by | William Hoy

Starring | Benjamin Walker, Rufus Sewell, Dominic Cooper, Anthony Mackie

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses | ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

The Blind Side (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi

Starring | Quinton Aaron, Sandra Bullock, Tim McGraw, Jae Head

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Men Who Stare at Goats (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

The Men Who Stare at Goats | ShotOnWhat?

Directed by | Grant Heslov | Cinematography by | Robert Elswit | Editing by | Tatiana S. Riegel

Starring | Ewan McGregor, George Clooney, Kevin Spacey, Jeff Bridges

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Angel Eyes (2001)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Luis Mandoki | Cinematography by | Piotr Sobocinski | Editing by | Gerald B. Greenberg

Starring | Jennifer Lopez, Jim Caviezel, Jeremy Sisto, Terrence Howard

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Back-up Plan (2010)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

The Back-up Plan | ShotOnWhat?

Directed by | Alan Poul | Cinematography by | Xavier Grobet | Editing by | Priscilla Nedd-Friendly

Starring | Jennifer Lopez, Alex O'Loughlin, Michaela Watkins, Eric Christian Olsen

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Life as a House (2001)

Motion Picture | Color | 2.39:1 | 125 Minutes

Directed by | Irwin Winkler | Cinematography by | Vilmos Zsigmond | Editing by | Julie Monroe

Starring | Hayden Christensen, Kevin Kline, Kristin Scott Thomas, Jena Malone

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pollock (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Ed Harris | Cinematography by | Lisa Rinzler | Editing by | Kathryn Himoff

Starring | Ed Harris, Marcia Gay Harden, Robert Knott, Molly Regan

Cameras | Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Why Did I Get Married Too? (2010)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Why Did I Get Married Too? | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Toyomichi Kurita | Editing by | Maysie Hoy

Starring | Janet Jackson, Tyler Perry, Jill Scott, Sharon Leal

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Hurt Locker (2008)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 1.85:1 | 131 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski

Starring | Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Expendables 2 (2012)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Simon West | Cinematography by | Shelly Johnson | Editing by | Todd E. Miller

Starring | Sylvester Stallone, Liam Hemsworth, Randy Couture, Jean-Claude Van Damme

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Book of Eli (2010)

Motion Picture | 2D | Color, Black and White | 2.35:1, 2.40:1 | 118 Minutes

The Book of Eli | ShotOnWhat?

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Don Burgess | Editing by | Cindy Mollo

Starring | Denzel Washington, Mila Kunis, Ray Stevenson, Gary Oldman

Cameras | Red One Camera

Lenses | Panavision Primo Anamorphic Lenses

Vampires Suck (2010)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Vampires Suck | ShotOnWhat?

Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior

Starring | Jenn Proske, Matt Lanter, Diedrich Bader, Chris Riggi

Cameras | Moviecam Compact Camera

Alex Cross (2012)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Alex Cross | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble

Starring | Tyler Perry, Matthew Fox, Rachel Nichols, Edward Burns

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Shanghai (2010)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent

Starring | John Cusack, Li Gong, Yun-Fat Chow, David Morse

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A Walk to Remember (2002)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

A Walk to Remember | ShotOnWhat?

Directed by | Adam Shankman | Cinematography by | Julio Macat | Editing by | Emma E. Hickox

Starring | Mandy Moore, Shane West, Peter Coyote, Daryl Hannah

Cameras | ARRI Cameras

Argo (2012)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg

Starring | Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Girl with a Pearl Earring (2003)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans

Starring | Scarlett Johansson, Colin Firth, Tom Wilkinson, Judy Parfitt

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

I Am Sam (2001)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew

Starring | Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

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