Fujifilm | 257 Titles
Centurion (2010)
Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The American President (1995)
Directed by | Rob Reiner | Cinematography by | John Seale | Editing by | Robert Leighton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Let Me In (2010)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Rush Hour 3 (2007)
Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman
Nine (2009)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith
A Man Apart (2003)
Directed by | F. Gary Gray | Cinematography by | Jack N. Green | Editing by | Robert Brown, William Hoy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Descendants (2011)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
The Reader (2008)
Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson
Lenses | Zeiss Master Prime Lenses
Mr. Popper’s Penguins (2011)
Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green
Cameras | ARRI ALEXA Camera
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
Monster (2003)
Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Little Children (2006)
Youth in Revolt (2009)
Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
Michael Clayton (2007)
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
London Boulevard (2010)
Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
The King’s Speech (2010) 
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar
Lenses | Zeiss Master Prime Lenses
