Fujifilm | 257 Titles
X: First Class (2011)
Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Brokeback Mountain (2005)
Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor
Lenses | Cooke S4 Lenses
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Blade II (2002)
Directed by | Guillermo del Toro | Cinematography by | Gabriel Beristain | Editing by | Peter Amundson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Salmon Fishing in the Yemen (2011)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Cider House Rules (1999)
Directed by | Lasse Hallström | Cinematography by | Oliver Stapleton | Editing by | Lisa Zeno Churgin
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Kick-Ass (2010)
Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Eddie Hamilton, Jon Harris, Pietro Scalia
Cameras | Panavision Panaflex Millennium XL Camera
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Ying xiong (2002)
Directed by | Yimou Zhang | Cinematography by | Christopher Doyle | Editing by | Angie Lam, Vincent Lee, Ru Zhai
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Cooke Lenses
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
In Time (2011)
Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
