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Eastman Kodak | 818 Titles

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The Karate Kid (2010)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

The Karate Kid | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron

Starring | Jackie Chan, Jaden Smith, Taraji P. Henson, Wenwen Han

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Flags of Our Fathers (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Ryan Phillippe, Barry Pepper, Joseph Cross, Jesse Bradford

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses

Atonement (2007)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 123 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill

Starring | Keira Knightley, James McAvoy, Brenda Blethyn, Saoirse Ronan

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Goodfellas (1990)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker

Starring | Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Lenses

The Black Dahlia (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow

Starring | Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Predators (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Predators | ShotOnWhat?

Directed by | Nimród Antal | Cinematography by | Gyula Pados | Editing by | Dan Zimmerman

Starring | Adrien Brody, Laurence Fishburne, Topher Grace, Alice Braga

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Man to Man (2005)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor

Starring | Joseph Fiennes, Kristin Scott Thomas, Iain Glen, Hugh Bonneville

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

State of Play (2009)

Motion Picture | 2D | Color | 2.35:1 | 127 Minutes

State of Play | ShotOnWhat?

Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright

Starring | Russell Crowe, Rachel McAdams, Ben Affleck, Helen Mirren

Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Charlie’s Angels: Full Throttle (2003)

Motion Picture | 2D | Color | 106 Minutes

Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman

Starring | Drew Barrymore, Lucy Liu, Cameron Diaz, Bernie Mac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Chicago (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh

Starring | Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Taye Diggs

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Marley & Me (2008)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

Marley & Me | ShotOnWhat?

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Owen Wilson, Jennifer Aniston, Eric Dane, Kathleen Turner

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Galaxy Quest (1999)

Motion Picture | 2D | Color | 1.37:1, 1.85:1, 2.39:1 | 102 Minutes

Directed by | Dean Parisot | Cinematography by | Jerzy Zielinski | Editing by | Don Zimmerman

Starring | Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Unknown (2011)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Unknown | ShotOnWhat?

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson

Starring | Liam Neeson, Diane Kruger, January Jones, Aidan Quinn

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Stealth (2005)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Stealth | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Stephen E. Rivkin

Starring | Josh Lucas, Jessica Biel, Jamie Foxx, Sam Shepard

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Tsotsi (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 94 Minutes

Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill

Starring | Presley Chweneyagae, Mothusi Magano, Israel Matseke-Zulu, Terry Pheto

Cameras | Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Variable Prime Lenses

Thelma & Louise (1991)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble

Starring | Susan Sarandon, Geena Davis, Harvey Keitel, Michael Madsen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

28 Days Later… (2002)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

28 Days Later… | ShotOnWhat?

Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill

Starring | Cillian Murphy, Naomie Harris, Christopher Eccleston, Alex Palmer

Cameras | ARRI Cameras, Canon XL1 Camera

Lenses | Canon EC Series Lenses, Canon EJ Series Lenses

1989 (2009)

Motion Picture | 2D | Color | 2.39:1 | 40 Minutes

Directed by | Camilo Matiz | Editing by | Caryl Deyn Korma

Starring | Vincent Gallo, Carolina Gómez, Erick Cordoba, Andres Oyilvy

Cameras | ARRIFLEX Camera

Extremely Loud & Incredibly Close (2011)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson

Starring | Thomas Horn, Tom Hanks, Sandra Bullock, Max von Sydow

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

National Treasure (2004)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Sean Bean

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

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