Eastman Kodak | 818 Titles
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Dark Water (2005)
Directed by | Walter Salles | Cinematography by | Affonso Beato | Editing by | Daniel Rezende
Lenses | Panavision Primo Anamorphic Lenses
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
12 Rounds (2009)
The Getaway (1994)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Magic Mike (2012)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Frozen River (2008)
Directed by | Courtney Hunt | Cinematography by | Reed Morano | Editing by | Kate Williams
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Zeiss DigiPrime Lenses
Simon (2004)
Directed by | Eddy Terstall | Cinematography by | Willem Nagtglas | Editing by | Ben Isaacs
Cameras | Aaton Cameras
The Sorcerer’s Apprentice (2010)
Contraband (2012)
Directed by | Baltasar Kormákur | Cinematography by | Barry Ackroyd | Editing by | Elísabet Ronaldsdóttir
Cameras | Aaton Penelope Camera
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
J. Edgar (2011)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Lenses | Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens
Capote (2005)
Directed by | Bennett Miller | Cinematography by | Adam Kimmel | Editing by | Christopher Tellefsen
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
The Last King of Scotland (2006)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
Sweeney Todd: The Demon Barber of Fleet Street (2007)
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Kiss the Girls (1997)
Directed by | Gary Fleder | Cinematography by | Aaron Schneider | Editing by | Armen Minasian, Harvey Rosenstock, William Steinkamp
Cameras | Panavision Panaflex Gold II Camera
































































