Vertical Film Print Orientation | 1284 Titles
The Twilight Saga: Breaking Dawn – Part 2 (2012)
Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater
Brave (2012)
Jack and Jill (2011)
Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Gangster Squad (2013)
Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Chronicle (2012)
Directed by | Josh Trank | Cinematography by | Matthew Jensen | Editing by | Elliot Greenberg
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Outside Providence (1999)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Shigunaru: Getsuyôbi no Ruka (2012)
Directed by | Masaaki Taniguchi | Cinematography by | Shogo Ueno | Editing by | Jun'ichi Itô
Cameras | Red One MX Camera, Sony PMW-F3 Camera
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Poltergeist III (1988)
Directed by | Gary Sherman | Cinematography by | Alex Nepomniaschy | Editing by | Ross Albert
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Revenge of the Dead (1983)
Directed by | Pupi Avati | Cinematography by | Franco Delli Colli | Editing by | Amedeo Salfa
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Hak kuen (2006)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Stardust Memories (1980)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Easy Money (1983)
Directed by | James Signorelli | Cinematography by | Fred Schuler | Editing by | Robert M. Reitano, Ronald Roose, Rick Shaine
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
