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Eastman EXR Neg. Film | 261 Titles

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Whale Rider (2002)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson

Starring | Keisha Castle-Hughes, Rawiri Paratene, Vicky Haughton, Cliff Curtis

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

The Corruptor (1999)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith

Starring | Yun-Fat Chow, Mark Wahlberg, Ric Young, Paul Ben-Victor

Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

City of God (2002)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Phellipe Haagensen

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

I Love You to Death (1990)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates

Starring | Kevin Kline, Tracey Ullman, William Hurt, Joan Plowright

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

De-Lovely (2004)

Motion Picture | 2D | Black and White, Color | 2.35:1 | 125 Minutes

De-Lovely | ShotOnWhat?

Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe

Starring | Kevin Kline, Ashley Judd, Jonathan Pryce, Kevin McNally

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Kill Bill: Vol. 1 (2003)

Motion Picture | 2D | Black and White, Color | 2.35:1 | 111 Minutes

Kill Bill: Vol. 1 | ShotOnWhat?

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke

Starring | Uma Thurman, David Carradine, Daryl Hannah, Michael Madsen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Far from Heaven (2002)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons

Starring | Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses

I, Robot (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian

Starring | Will Smith, Bridget Moynahan, Bruce Greenwood, Alan Tudyk

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Eraser (1996)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

Eraser | ShotOnWhat?

Directed by | Chuck Russell | Cinematography by | Adam Greenberg | Editing by | Michael Tronick

Starring | Arnold Schwarzenegger, Vanessa Williams, James Caan, James Coburn

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Last of the Mohicans (1992)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 112 Minutes

The Last of the Mohicans | ShotOnWhat?

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Dov Hoenig, Arthur Schmidt

Starring | Daniel Day-Lewis, Madeleine Stowe, Russell Means, Eric Schweig

Cameras | Panavision Cameras

Dogfight (1991)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Dogfight | ShotOnWhat?

Directed by | Nancy Savoca | Cinematography by | Bobby Bukowski | Editing by | John Tintori

Starring | River Phoenix, Lili Taylor, Richard Panebianco, Anthony Clark

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Cooke Lenses

Final Analysis (1992)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Final Analysis | ShotOnWhat?

Directed by | Phil Joanou | Cinematography by | Jordan Cronenweth | Editing by | Thom Noble

Starring | Richard Gere, Kim Basinger, Uma Thurman, Eric Roberts

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Mummy Returns (2001)

Motion Picture | 2D | Color | 2.35:1 | 130 Minutes

The Mummy Returns | ShotOnWhat?

Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto

Starring | Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses

Himalaya (1999)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte

Starring | Thilen Lhondup, Gurgon Kyap, Lhakpa Tsamchoe, Karma Wangel

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The English Patient (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 162 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Ralph Fiennes, Juliette Binoche, Willem Dafoe, Kristin Scott Thomas

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Batman Forever (1995)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Batman Forever | ShotOnWhat?

Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler

Starring | Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Manda Bala (Send a Bullet) (2007)

Motion Picture | 2D | Color | 85 Minutes

Manda Bala (Send a Bullet) | ShotOnWhat?

Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses

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