Technicolor, Hollywood | 347 Titles
Bridget Jones’s Diary (2001)
Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Time Machine (2002)
Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Camera
What Lies Beneath (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
The Black Dahlia (2006)
Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Galaxy Quest (1999)
Directed by | Dean Parisot | Cinematography by | Jerzy Zielinski | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Batman Returns (1992)
Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Bob Badami, Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
The Insider (1999)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell
Copycat (1995)
Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim
Cameras | Panavision Panaflex Camera
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Life Aquatic with Steve Zissou (2004)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | David Moritz
Lenses | Panavision Primo Anamorphic Lenses
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Last Action Hero (1993)
Directed by | John McTiernan | Cinematography by | Dean Semler | Editing by | Richard A. Harris, John Wright
Cameras | Panavision Panaflex Gold II Camera
Twister (1996)
Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Lethal Weapon 4 (1998)
Directed by | Richard Donner | Cinematography by | Andrzej Bartkowiak | Editing by | Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Rookie (2002)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Platinum Camera
The Good German (2006)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley, Joke van Wijk
Cameras | Panavision Panaflex Platinum Camera
