Deluxe, Hollywood | 466 Titles
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Fantastic Mr. Fox (2009)
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
Sex and the City 2 (2010)
Directed by | Michael Patrick King | Cinematography by | John Thomas | Editing by | Michael Berenbaum
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Marley & Me (2008)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Ultra Prime Lenses
Stealth (2005)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
American History X (1998)
Directed by | Tony Kaye | Cinematography by | Tony Kaye | Editing by | Gerald B. Greenberg, Alan Heim
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
The Kite Runner (2007)
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
We Bought a Zoo (2011)
Directed by | Cameron Crowe | Cinematography by | Rodrigo Prieto | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
Sleepy Hollow (1999)
Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron
Cameras | Panavision Panaflex Platinum Camera
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Lara Croft: Tomb Raider (2001)
Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir
Cameras | ARRICAM Lite (LT) Camera
The Ides of March (2011)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Platinum Camera
A Series of Unfortunate Events (2004)
Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Thomas Crown Affair (1999)
Directed by | John McTiernan | Cinematography by | Tom Priestley Jr. | Editing by | John Wright
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
