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The Last Temptation of Christ (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 164 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Willem Dafoe, Harvey Keitel, Barbara Hershey, Paul Greco

Cameras | ARRIFLEX Camera

Do the Right Thing (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Barry Alexander Brown

Starring | Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson

The Goonies (1985)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 114 Minutes

Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg

Starring | Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman

Cameras | ARRIFLEX 35 III Camera

Magical Mystery Tour (1967)

Television Movie | 2D | Film Project | Color | 1.33:1 (4x3) | 55 Minutes

Directed by | George Harrison, John Lennon, Paul McCartney, Ringo Starr, Bernard Knowles | Cinematography by | Ringo Starr | Editing by | Roy Benson

Starring | John Lennon, Paul McCartney, George Harrison

Cameras | ARRIFLEX 16S Camera, Éclair NPR Camera

Lenses | Angenieux Lenses, Schneider Lenses

The Prisoner (1967)

Miniseries | 2D | Film Project | Color | 50 Minutes

| Cinematography by | Brendan J. Stafford | Editing by | Lee Doig, Geoffrey Foot, Eric Boyd-Perkins, John S. Smith, Noreen Ackland, Spencer Reeve

Starring | Patrick McGoohan, Angelo Muscat, Peter Swanwick

Cameras | Mitchell BNC Camera

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

Platoon (1986)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson

Starring | Charlie Sheen, Tom Berenger, Willem Dafoe

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | JDC (Joe Dunton Camera) Lenses

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Escape: World Safari III (1988)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 109 Minutes

Directed by | Alby Mangels | Editing by | Rod Hay, Tim Jordan

Starring | Alby Mangels, Michelle Els, Lucinda Dunn

Cameras | ARRIFLEX 16SR2 Camera

Razorback (1984)

Motion Picture | 2D | Film Project | Color | 95 Minutes

Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson

Starring | Gregory Harrison, Arkie Whiteley, Bill Kerr, Chris Haywood

Cameras | Panavision Panaflex Gold Camera

Glengarry Glen Ross (1992)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | James Foley | Cinematography by | Juan Ruiz Anchía

Starring | Al Pacino, Jack Lemmon, Alec Baldwin

Dark Angels (1998)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 90 Minutes

Directed by | David Wadley | Cinematography by | Edwin Myers | Editing by | Kevin Lindstrom

Starring | Louis Murray, Je Nie Fleming, L. Sidney

An American Family (1973)

Documentary, Miniseries | 2D | Film Project | Color | 1.33:1 (4x3) |

| Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner

Starring | Patricia Loud, Bill Loud, Lance Loud, Kevin Loud

Cameras | Éclair NPR Camera

Lenses | Angenieux Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

King Kong (1933)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman

Starring | Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher

Cameras | Mitchell Standard Camera

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Schindler’s List (1993)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 195 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 100 Minutes

Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor

Starring | Jensen Daggett, Kane Hodder, Todd Caldecott, Tiffany Paulsen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Classic Spherical Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

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