Digital SD | 62 Titles
Gran Torino (2008)
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
One for the Money (2012)
Directed by | Julie Anne Robinson | Cinematography by | Jim Whitaker | Editing by | Lisa Zeno Churgin
Cop Out (2010)
Piranha 3D (2010)
Directed by | Alexandre Aja | Cinematography by | John R. Leonetti | Editing by | Baxter
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Jumper (2008)
Directed by | Doug Liman | Cinematography by | Barry Peterson | Editing by | Saar Klein, Dean Zimmerman, Don Zimmerman
Cameras | Panavision Cameras, Red One Camera
Killers (2010)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Richard Francis-Bruce, Mary Jo Markey
Cameras | ARRIFLEX D-21 Camera
Lenses | Hawk V-Series Lenses
Albert Nobbs (2011)
Directed by | Rodrigo García | Cinematography by | Michael McDonough | Editing by | Steven Weisberg
Cameras | Red One MX Camera
Rättskiparen (2010)
Directed by | Mattias Löw | Cinematography by | Orvar Anklew, Mattias Löw | Editing by | Orvar Anklew
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir
Cameras | ARRICAM Lite (LT) Camera
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Silent House (2011)
Directed by | Chris Kentis, Laura Lau | Cinematography by | Igor Martinovic
Cameras | Canon EOS-5D Mark II Camera
Lenses | Zeiss Compact Prime Lenses
Eat Pray Love (2010)
Barmy (2012)
Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey
Cameras | Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Pineapple Express (2008)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Hubble 3D (2010)
Takers (2010)
Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian
Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Salmon Fishing in the Yemen (2011)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses