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D-Cinema (DCP - Digital Cinema) | 1199 Titles

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The Ides of March (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | Paul Giamatti, George Clooney, Philip Seymour Hoffman, Ryan Gosling

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Habemus Papam (2011)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria

Starring | Michel Piccoli, Nanni Moretti, Jerzy Stuhr, Renato Scarpa

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Hell and Back Again (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway

Starring | Nathan Harris, Ashley Harris, The Marines of Echo Company, Christian Cabaniss

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 35mm f1.4L Lens, Canon FD 50 mm f1.4 SSC Lens

Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Brighton Rock (2010)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Brighton Rock | ShotOnWhat?

Directed by | Rowan Joffe | Cinematography by | John Mathieson | Editing by | Joe Walker

Starring | Sam Riley, Andrea Riseborough, Helen Mirren, John Hurt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Hop (2011)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Hop | ShotOnWhat?

Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler

Starring | Russell Brand, James Marsden, Elizabeth Perkins, Kaley Cuoco

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Storm Surfers 3D (2012)

Motion Picture | 3D | Color | 1.85:1 | 95 Minutes

Directed by | Justin McMillan, Christopher Nelius | Cinematography by | David Maguire | Editing by | Rodrigo Balart

Starring | Toni Collette, Tom Carroll, Ben Matson, Ross Clark-Jones

Cameras | Canon EOS 550D Camera, GoPro HD Hero Camera, Panasonic AG-3DA1 Camera, Silicon Imaging SI-2K Camera, Sony PMW-EX3 Camera

Lenses | Fujinon Lenses, Kowa Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Nowhere Boy (2009)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Nowhere Boy | ShotOnWhat?

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Lisa Gunning

Starring | Aaron Taylor-Johnson, Kristin Scott Thomas, Anne-Marie Duff, David Threlfall

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Hangover Part II (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

The Hangover Part II | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Mummy: Tomb of the Dragon Emperor (2008)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron

Starring | Brendan Fraser, Jet Li, Maria Bello, Michelle Yeoh

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Saw 3D: The Final Chapter (2010)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Saw 3D: The Final Chapter | ShotOnWhat?

Directed by | Kevin Greutert | Cinematography by | Brian Gedge | Editing by | Andrew Coutts

Starring | Tobin Bell, Costas Mandylor, Betsy Russell, Cary Elwes

Cameras | Silicon Imaging SI-2K Camera

Anna Karenina (2012)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver

Starring | Keira Knightley, Jude Law, Aaron Taylor-Johnson, Matthew Macfadyen

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jayne Mansfield’s Car (2012)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Lauren Zuckerman

Starring | Tippi Hedren, Kevin Bacon, Ray Stevenson, Robert Patrick

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Good Deeds (2012)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Good Deeds | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Tyler Perry, Gabrielle Union, Thandiwe Newton, Eddie Cibrian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Gulliver’s Travels (2010)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 85 Minutes

Directed by | Rob Letterman | Cinematography by | David Tattersall | Editing by | Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Starring | Jack Black, Emily Blunt, Jason Segel, Amanda Peet

Cameras | Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses

A Thousand Words (2012)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

A Thousand Words | ShotOnWhat?

Directed by | Brian Robbins | Cinematography by | Clark Mathis | Editing by | Ned Bastille

Starring | Eddie Murphy, Cliff Curtis, Kerry Washington, Clark Duke

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Serenity (2005)

Motion Picture | 2D | Color | 2.35:1 | 119 Minutes

Serenity | ShotOnWhat?

Directed by | Joss Whedon | Cinematography by | Jack N. Green | Editing by | Lisa Lassek

Starring | Nathan Fillion, Gina Torres, Chiwetel Ejiofor, Alan Tudyk

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

A Serious Man (2009)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

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