D-Cinema (DCP - Digital Cinema) | 1199 Titles
Just Go with It (2011)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Rush Hour 3 (2007)
Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
True Grit (2010)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Lenses | Zeiss Master Prime Lenses
A Nightmare on Elm Street (2010)
Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Nine (2009)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith
Max Payne (2008)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras | ARRIFLEX 435 Camera, Phantom HD Camera
Lenses | Cooke S4 Lenses
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
The Descendants (2011)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Bad Teacher (2011)
Directed by | Jake Kasdan | Cinematography by | Alar Kivilo | Editing by | Tara Timpone
Cameras | Panavision Panaflex Platinum Camera
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
Hearat Shulayim (2011)
Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
Mr. Popper’s Penguins (2011)
Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green
Cameras | ARRI ALEXA Camera
Journey 2: The Mysterious Island (2012)
Directed by | Brad Peyton | Cinematography by | David Tattersall | Editing by | David Rennie
Cameras | Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera
The Intouchables (2011)
Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous
Lenses | Panavision Primo Anamorphic Lenses
Star Trek (2009)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
