D-Cinema (DCP - Digital Cinema) | 1199 Titles
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
4:44 Last Day on Earth (2011)
Directed by | Abel Ferrara | Cinematography by | Ken Kelsch | Editing by | Anthony Redman
Cameras | Red One MX Camera
Lenses | Cooke S4 Lenses
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Like Crazy (2011)
Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts
Cameras | Canon EOS-7D Camera
Lenses | Zeiss Ultra Prime Lenses
Byzantium (2012)
Directed by | Neil Jordan | Cinematography by | Sean Bobbitt | Editing by | Tony Lawson
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Master Prime Lenses
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
To Save a Life (2009)
Directed by | Brian Baugh | Cinematography by | C. Clifford Jones | Editing by | Dan O'Brien, Sarah Sanders
Cameras | Red One Camera
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
From Paris with Love (2010)
Directed by | Pierre Morel | Cinematography by | Michel Abramowicz | Editing by | Frédéric Thoraval
Lenses | Panavision Primo Anamorphic Lenses
Little Birds (2011)
Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler
Lenses | Panavision Primo Anamorphic Lenses
The Omen (2006)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras | Panavision Cameras
The Ward (2010)
Directed by | John Carpenter | Cinematography by | Yaron Orbach | Editing by | Patrick McMahon
Cameras | Moviecam Compact MK2 Camera
Lenses | Zeiss Ultra Prime Lenses
Girl in Progress (2012)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Dan Schalk
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Goon (2011)
Directed by | Michael Dowse | Cinematography by | Bobby Shore | Editing by | Reginald Harkema
Cameras | Red One MX Camera
Life as We Know It (2010)
Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page
Lenses | Panavision Primo Anamorphic Lenses
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
Terumae romae (2012)
Directed by | Hideki Takeuchi | Cinematography by | Kazunari Kawagoe | Editing by | Hiroshi Matsuo
Cameras | Red One MX Camera
Trespass (2011)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Bill Pankow
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
