D-Cinema (DCP - Digital Cinema) | 1199 Titles
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
This Is It (2009)
Directed by | Kenny Ortega | Cinematography by | Sandrine Orabona, Tim Patterson | Editing by | Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt
Cameras | Red One Camera
Haywire (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Killer Joe (2011)
Directed by | William Friedkin | Cinematography by | Caleb Deschanel | Editing by | Darrin Navarro
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Nitro Circus: The Movie (2012)
Directed by | Gregg Godfrey, Jeremy Rawle | Cinematography by | Donny Anderson, Brandon Christensen | Editing by | Seth Torok
Cameras | Red Epic Camera
The Five-Year Engagement (2012)
Directed by | Nicholas Stoller | Cinematography by | Javier Aguirresarobe | Editing by | William Kerr, Peck Prior
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Journey to the Center of the Earth (2008)
Directed by | Eric Brevig | Cinematography by | Chuck Shuman | Editing by | Steven Rosenblum, Paul Martin Smith, Dirk Westervelt
The Change-Up (2011)
Directed by | David Dobkin | Cinematography by | Eric Alan Edwards | Editing by | Lee Haxall, Greg Hayden
Lenses | Cooke S4 Lenses
Step Brothers (2008)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Fetih 1453 (2012)
Directed by | Faruk Aksoy | Cinematography by | Hasan Gergin, Mirsad Herovic | Editing by | Erkan Ozekan
No Country for Old Men (2007)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
The Figure of Authority (2009)
Directed by | Michael J. Hauser | Cinematography by | Matt Stemmley | Editing by | Michael J. Hauser
Cameras | Canon XL2 Camera
Standpoint (2009)
Directed by | Dom Ricco | Cinematography by | Andrew Strahorn | Editing by | Jessica Rae Ortega
Cameras | Moviecam Compact Camera
Crooked Arrows (2012)
Directed by | Steve Rash | Cinematography by | Dan Stoloff | Editing by | Bart Rachmil, Danny Saphire
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Higher Ground (2011)
Directed by | Vera Farmiga | Cinematography by | Michael McDonough | Editing by | Colleen Sharp
Cameras | Red One MX Camera


























































