Broadcast | 290 Titles
Wadjda (2012)
Directed by | Haifaa Al-Mansour | Cinematography by | Lutz Reitemeier | Editing by | Andreas Wodraschke
Cameras | ARRI ALEXA Camera
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Kai Rabe gegen die Vatikankiller (1998)
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens
Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Before Midnight (2013)
Directed by | Richard Linklater | Cinematography by | Christos Voudouris | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
32A (2007)
Directed by | Marian Quinn | Cinematography by | P.J. Dillon | Editing by | Rune Schweitzer
Cameras | ARRI Cameras
The Lego Movie (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay
Cameras | ARRI ALEXA Series Cameras
Äkta människor (2012)
| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Elysium (2013)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith
Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
No (2012)
Directed by | Pablo Larraín | Cinematography by | Sergio Armstrong | Editing by | Andrea Chignoli
Cameras | Ikegami HL-79EAL Camera
Rebelle (2012)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
A Royal Affair (2012)
Directed by | Nikolaj Arcel | Cinematography by | Rasmus Videbæk | Editing by | Kasper Leick, Mikkel E.G. Nielsen
Cameras | ARRICAM Studio (ST) Camera
Lenses | Zeiss Master Prime Lenses
The Invisible War (2012)
Directed by | Kirby Dick | Cinematography by | Kirsten Johnson, Thaddeus Wadleigh | Editing by | Douglas Blush, Derek Boonstra
The Gatekeepers (2012)
Kon-Tiki (2012)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Geir Hartly Andreassen | Editing by | Perry Eriksen, Martin Stoltz
The Moment After II: The Awakening (2006)
Directed by | Wes Llewellyn | Cinematography by | Todd Barron | Editing by | Wes Llewellyn, Mike Wech
Cameras | Panasonic Cameras, Panasonic VariCam Camera
Lenses | Canon Lenses
After Earth (2013)
Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum
Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera
Snowboard Academy (1996)
Directed by | John Shepphird | Cinematography by | Bruno Philip | Editing by | Richard Comeau
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
