Broadcast | 290 Titles
Rio Grande (1950)
The Lavender Hill Mob (1951)
A Fine Pair (1968)
Serpico (1973)
Directed by | Sidney Lumet | Cinematography by | Arthur J. Ornitz | Editing by | Dede Allen, Richard Marks
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pursued (1947)
A Likely Story (1947)
How to Marry a Millionaire (1953)
Directed by | Jean Negulesco | Cinematography by | Joseph MacDonald | Editing by | Louis R. Loeffler
Arsenic and Old Lace (1944)
The Bostonians (1984)
Directed by | James Ivory | Cinematography by | Walter Lassally | Editing by | Mark Potter Jr., Katherine Wenning
The Seven Year Itch (1955)
Directed by | Billy Wilder | Cinematography by | Milton R. Krasner | Editing by | Hugh S. Fowler
Lenses | Bausch & Lomb Lenses
Commando (1985)
Directed by | Mark L. Lester | Cinematography by | Matthew F. Leonetti | Editing by | Glenn Farr, Mark Goldblatt, John F. Link
Enter the Dragon (1973)
Directed by | Robert Clouse | Cinematography by | Gil Hubbs | Editing by | Kurt Hirschler, George Watters, Peter Cheung
Cameras | ARRIFLEX 35 IIC Camera
Lenses | Angenieux Lenses
The Exorcist (1973)
Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Norman Gay, Evan A. Lottman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Darkman (1990)
Agent Cody Banks (2003)
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The List of Adrian Messenger (1963)
Directed by | John Huston | Cinematography by | Joseph MacDonald | Editing by | Hugh S. Fowler, Terry O. Morse
Casablanca (1942)
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks
Cameras | Mitchell BNC Camera
Clash of the Titans (1981)
Big Trouble in Little China (1986)
Directed by | John Carpenter | Cinematography by | Dean Cundey | Editing by | Steve Mirkovich, Mark Warner, Edward A. Warschilka
Cameras | Panavision Cameras
Blow-Up (1966)
Directed by | Michelangelo Antonioni | Cinematography by | Carlo Di Palma | Editing by | Frank Clarke