Distribution Medium » Broadcast

Broadcast  |  290 Titles

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Charlie’s Angels   (1976)

  |    |    |  45 Minutes

Sabrina   (1954)

  |    |    |  113 Minutes
Directed by | Billy Wilder | Cinematography by | Charles Lang | Editing by | Arthur P. Schmidt

Irma la Douce   (1963)

  |    |    |  147 Minutes
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras |

Beauty and the Beast   (1946)

  |    |    |  93 Minutes
Directed by | Jean Cocteau, René Clément | Cinematography by | Henri Alekan | Editing by | Claude Ibéria

Sorry, Wrong Number   (1948)

  |    |    |  89 Minutes
Directed by | Anatole Litvak | Cinematography by | Sol Polito

Grease   (1978)

  |    |    |  110 Minutes
Directed by | Randal Kleiser | Cinematography by | Bill Butler | Editing by | John F. Burnett
Cameras |

Father of the Bride   (1950)

  |    |    |  92 Minutes
Directed by | Vincente Minnelli | Cinematography by | John Alton | Editing by | Ferris Webster

One Flew Over the Cuckoo’s Nest   (1975) oscar-icon

  |    |    |    |  133 Minutes
Directed by | Milos Forman | Cinematography by | Haskell Wexler | Editing by | Sheldon Kahn, Lynzee Klingman

West Side Story   (1961) oscar-icon

  |    |    |    |  ,   |  153 Minutes

The Bridge on the River Kwai   (1957) oscar-icon

  |    |    |  , ,   |  161 Minutes
Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor

It’s a Wonderful Life   (1946)

  |    |  ,   |  130 Minutes

A Streetcar Named Desire   (1951)

  |    |    |  122 Minutes
Directed by | Elia Kazan | Cinematography by | Harry Stradling Sr. | Editing by | David Weisbart

My Fair Lady   (1964) oscar-icon

  |    |    |    |  170 Minutes

Patton   (1970) oscar-icon

  |    |    |    |  172 Minutes

The Apartment   (1960) oscar-icon

  |    |    |    |    |  125 Minutes
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras |

Grand Hotel   (1932) oscar-icon

  |    |    |    |  112 Minutes
Directed by | Edmund Goulding | Cinematography by | William H. Daniels

High Noon   (1952)

  |    |    |  85 Minutes
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras |

The Pianist   (2002)

  |    |  ,   |  150 Minutes

Midnight Cowboy   (1969) oscar-icon

  |    |    |  ,   |  113 Minutes
Directed by | John Schlesinger | Cinematography by | Adam Holender | Editing by | Hugh A. Robertson

Fargo   (1996)

  |    |    |    |  98 Minutes