Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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Bride Wars (2009)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Bride Wars | ShotOnWhat?

Directed by | Gary Winick | Cinematography by | Frederick Elmes | Editing by | Susan Littenberg

Starring | Kate Hudson, Anne Hathaway, Candice Bergen, Bryan Greenberg

Cameras | ARRI Cameras

Lebanon, Pa. (2010)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell

Starring | Josh Hopkins, Rachel Kitson, Ian Merrill Peakes, Samantha Mathis

Cameras | Red One Camera

Lenses | ARRI / Zeiss Lenses, Zeiss Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Good Will Hunting (1997)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia

Starring | Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Cameras | Panavision Cameras

Lenses | Panavision Lenses

3 Ninjas Knuckle Up (1995)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Sang-ok Shin | Cinematography by | Eugene D. Shlugleit | Editing by | Pamela Choules

Starring | Victor Wong, Charles Napier, Michael Treanor, Max Elliott Slade

Cameras | Panavision Cameras

Lenses | Panavision Lenses

3 Needles (2005)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks

Starring | Chloë Sevigny, Lucy Liu, Shawn Ashmore, Mabel Adams

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Standard Speed Prime Lenses

Belizaire the Cajun (1986)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo

Starring | Armand Assante, Gail Youngs, Michael Schoeffling, Stephen McHattie

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

All My Friends Are Leaving Brisbane (2007)

Motion Picture | 2D | Color | 1.85:1 | 76 Minutes

Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott

Starring | Charlotte Gregg, Matt Zeremes, Ryan Johnson, Cindy Nelson

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | Angenieux HR Zoom Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Bunglers (2012)

Motion Picture | 2D | Color | 1.85:1 | 29 Minutes

The Bunglers | ShotOnWhat?

Directed by | Glenn Camhi | Cinematography by | Stephan Dalyai | Editing by | Glenn Camhi

Starring | Stephen Kearin, Tyler McClain, Floyd Van Buskirk, Brian Lohmann

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

Spy Kids: All the Time in the World in 4D (2011)

Motion Picture | 3D | Color | 1.85:1 | 89 Minutes

Spy Kids: All the Time in the World in 4D | ShotOnWhat?

Directed by | Robert Rodriguez | Cinematography by | Jimmy Lindsey, Robert Rodriguez | Editing by | Dan Zimmerman

Starring | Jessica Alba, Jeremy Piven, Joel McHale, Rowan Blanchard

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses

Rocky (1976)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 120 Minutes

Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey

Starring | Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers

Cameras | Panavision Panaflex Camera, Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Bridge to Terabithia (2007)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Bridge to Terabithia | ShotOnWhat?

Directed by | Gabor Csupo | Cinematography by | Michael Chapman | Editing by | John Gilbert

Starring | Josh Hutcherson, AnnaSophia Robb, Zooey Deschanel, Robert Patrick

Cameras | Panavision Cameras

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Hudsucker Proxy (1994)

Motion Picture | 2D | Black & White, Color | 1.37:1, 1.85:1 | 111 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble

Starring | Tim Robbins, Paul Newman, Jennifer Jason Leigh, Charles Durning

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

A Prayer for the Dying (1987)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Mike Hodges | Cinematography by | Michael Garfath | Editing by | Peter Boyle

Starring | Mickey Rourke, Bob Hoskins, Alan Bates, Sammi Davis

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Gorky Park (1983)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler

Starring | William Hurt, Lee Marvin, Brian Dennehy, Ian Bannen

Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera

Lost in America (1985)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer

Starring | Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision Ultra Speed MKII Lenses

Wag the Dog (1997)

Motion Picture | Color | 1.85:1 | 97 Minutes

Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder

Starring | Dustin Hoffman, Robert De Niro, Anne Heche, Woody Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Fright Night (2011)

Motion Picture | 3D | Color | 1.85:1 | 106 Minutes

Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel

Starring | Anton Yelchin, Colin Farrell, David Tennant, Toni Collette

Cameras | Red One MX Camera

Lenses | Zeiss Master Prime Lenses

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