1.85:1 | 1571 Titles
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
La délicatesse (2011)
Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant
Cameras | Aaton Penelope Camera
Hei mao zhi ci sha Ye Li Qin (1992)
Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
A Fish Called Wanda (1988)
Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Clink of Ice (2010)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier
Cameras | Aaton Penelope Camera
Me and You and Everyone We Know (2005)
Directed by | Miranda July | Cinematography by | Chuy Chávez | Editing by | Andrew Dickler, Charles Ireland
Cameras | Sony HDW-F900 Camera
How Do You Know (2010)
Directed by | James L. Brooks | Cinematography by | Janusz Kaminski | Editing by | Richard Marks, Tracey Wadmore-Smith
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Son of the Bride (2001)
Directed by | Juan José Campanella | Cinematography by | Daniel Shulman | Editing by | Camilo Antolini
Cameras | ARRIFLEX 35mm Cameras
Jeff, Who Lives at Home (2011)
Directed by | Jay Duplass, Mark Duplass | Cinematography by | Jas Shelton | Editing by | Jay Deuby
Cameras | Red One MX Camera
A Crime (2006)
Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Machete (2010)
Directed by | Ethan Maniquis, Robert Rodriguez | Cinematography by | Jimmy Lindsey | Editing by | Rebecca Rodriguez, Robert Rodriguez
Cameras | Panavision Genesis Camera
Girl, Interrupted (1999)
Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Bullitt (1968)
Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Annie Hall (1977)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dog Day Afternoon (1975)
Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
About Schmidt (2002)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera
Terms of Endearment (1983)
Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Piano Teacher (2001)
Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses