Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)

Motion Picture | 3D | Color | 1.85:1 | 74 Minutes

Hannah Montana & Miley Cyrus: Best of Both Worlds Concert | ShotOnWhat?

Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick

Starring | Miley Cyrus, The Jonas Brothers, Kenny Ortega, Billy Ray Cyrus

Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Dance Flick (2009)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Dance Flick | ShotOnWhat?

Directed by | Damien Dante Wayans | Cinematography by | Mark Irwin | Editing by | Scott Hill

Starring | Marlon Wayans, Shawn Wayans, Shoshana Bush, Damon Wayans Jr.

Cameras | Moviecam Compact Camera

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Coming to America (1988)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.

Starring | Eddie Murphy, Paul Bates, Garcelle Beauvais, Feather

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Step Up 3D (2010)

Motion Picture | 3D | Color | 1.85:1 | 107 Minutes

Step Up 3D | ShotOnWhat?

Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus

Starring | Sharni Vinson, Rick Malambri, Adam Sevani, Alyson Stoner

Cameras | Sony CineAlta F23 Camera

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

D.O.A. (1988)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 96 Minutes

Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller

Starring | Dennis Quaid, Meg Ryan, Charlotte Rampling, Daniel Stern

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Tree of Life (2011)

Motion Picture | Color | 1.85:1 | 139 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Starring | Brad Pitt, Sean Penn, Jessica Chastain, Hunter McCracken

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Paul Blart: Mall Cop (2009)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Paul Blart: Mall Cop | ShotOnWhat?

Directed by | Steve Carr | Cinematography by | Russ T. Alsobrook | Editing by | Jeff Freeman

Starring | Kevin James, Keir O'Donnell, Jayma Mays, Raini Rodriguez

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

Match Point (2005)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Woody Allen | Cinematography by | Remi Adefarasin | Editing by | Alisa Lepselter

Starring | Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

A Decade Under the Influence (2003)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 138 Minutes

Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker

Starring | Francis Ford Coppola, William Friedkin, Robert Altman, John G. Avildsen

Cameras | Sony HDW-F900 Camera

Always (1989)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn

Starring | Richard Dreyfuss, Holly Hunter, Brad Johnson, John Goodman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Happening (2008)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

The Happening | ShotOnWhat?

Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV

Starring | Mark Wahlberg, Zooey Deschanel, John Leguizamo, Ashlyn Sanchez

Cameras | Panavision Cameras

American Son (2008)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer

Starring | Nick Cannon, Matt Sigloch, Dotan Baer, Justin Diedolf

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Crank: High Voltage (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena

Starring | Jason Statham, Amy Smart, Clifton Collins Jr., Dwight Yoakam

Cameras | Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

A Night in the Life of Jimmy Reardon (1988)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | William Richert | Cinematography by | John J. Connor | Editing by | Suzanne Fenn

Starring | River Phoenix, Ann Magnuson, Meredith Salenger, Ione Skye

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

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