1.85:1 | 1571 Titles
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
Divorce Invitation (2012)
Directed by | S.V. Krishna Reddy | Cinematography by | Brad Rushing | Editing by | Blu Murray, Gary Roach
Cameras | ARRI ALEXA Camera
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
London Boulevard (2010)
Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan
Waiting Alone (2004)
Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng
Cameras | ARRIFLEX 535 B Camera
Elizabeth: The Golden Age (2007)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
The King’s Speech (2010)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar
Lenses | Zeiss Master Prime Lenses
Hustle & Flow (2005)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
*batteries not included (1987)
Directed by | Matthew Robbins | Cinematography by | John McPherson | Editing by | Cynthia Scheider
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Big Fish (2003)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Soldier’s Daughter Never Cries (1998)
Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson
Cameras | Panavision Panaflex Platinum Camera
The Evil Dead (1981)
Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul
Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera
A Midsummer Night’s Rave (2002)
Directed by | Gil Cates Jr. | Cinematography by | Tom Harting | Editing by | Jonathan Cates
Cameras | Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
Ruby Sparks (2012)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Matthew Libatique | Editing by | Pamela Martin
Lenses | Cooke Speed Panchro Lenses
A Dangerous Method (2011)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Cooke S4 Lenses
9/Tenths (2006)
Directed by | Bob Degus | Cinematography by | Nathan Wilson | Editing by | Logan Breit
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Directed by | Errol Morris | Cinematography by | Robert Chappell, Peter Donahue | Editing by | Doug Abel, Chyld King, Karen Schmeer
Cameras | Sony HDW-F900 Camera
Knocked Up (2007)
Directed by | Judd Apatow | Cinematography by | Eric Alan Edwards | Editing by | Craig Alpert, Brent White
Cameras | Panavision Cameras
Korpus (2011)
Directed by | Flo Linus Baumann | Cinematography by | Sebastian Weber | Editing by | Flo Linus Baumann, Aurora Vögeli
Cameras | ARRI ALEXA Camera
Juno (2007)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera