1.85:1 | 1571 Titles
Just Go with It (2011)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
A Cinderella Story (2004)
Directed by | Mark Rosman | Cinematography by | Anthony B. Richmond | Editing by | Cara Silverman
Lenses | Panavision Lenses
Videodrome (1983)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Drowning Mona (2000)
Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
The Illusionist (2006)
Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
The Fast Life (2003)
Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | ARRI / Zeiss Lenses
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Hotel for Dogs (2009)
Directed by | Thor Freudenthal | Cinematography by | Michael Grady | Editing by | Sheldon Kahn
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Lost World: Jurassic Park (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
A Shock to the System (1990)
Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Naked Man (1998)
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Eastern Promises (2007)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Zeiss Master Prime Lenses
Bad Teacher (2011)
Directed by | Jake Kasdan | Cinematography by | Alar Kivilo | Editing by | Tara Timpone
Cameras | Panavision Panaflex Platinum Camera
A Trip to Swadades (2008)
Directed by | Daniel Kremer | Cinematography by | Aaron Hollander | Editing by | Daniel Kremer
Cameras | Aaton XTR Prod Camera
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
A.I. Artificial Intelligence (2001)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | ARRI / Zeiss Lenses
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
Lung joi gong woo (1998)
Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses