Color | 3927 Titles
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
Molly’s Theory of Relativity (2013)
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras | Red One MX Camera
The Sweeney (2012)
Directed by | Nick Love | Cinematography by | Simon Dennis | Editing by | James Herbert
Cameras | ARRI ALEXA Camera, Red One MX Camera
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
The Broken Circle Breakdown (2012)
Directed by | Felix van Groeningen | Cinematography by | Ruben Impens | Editing by | Nico Leunen
Cameras | ARRI ALEXA Camera
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
On the Ropes (1999)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | Brett Morgen | Editing by | Nancy Baker, Nanette Burstein
The Woman (2013)
| Cinematography by | Ryan Atkins | Editing by | Ryan Atkins
Cameras | Canon Cameras, Canon EOS-7D Camera
Lenses | Canon Lenses
Trade of Innocents (2012)
Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Secret Life of Walter Mitty (2013)
Directed by | Ben Stiller | Cinematography by | Stuart Dryburgh | Editing by | Greg Hayden
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Rush (2013)
Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses
Much Ado About Nothing (2012)
Homefront (2013)
Directed by | Gary Fleder | Cinematography by | Theo van de Sande | Editing by | Padraic McKinley
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Hot Wings (2013)
Directed by | Mitch Panayis | Cinematography by | Darragh Alder, Roter Su | Editing by | Darragh Alder
Lenses | Red Pro Zoom 17-50 mm T2.9 Lens
Jack Ryan: Shadow Recruit (2014)
Community (2009)
| Cinematography by | Gary Hatfield, James Hawkinson, Buzz Feitshans IV, Jon Tucker, Michael A. Price | Editing by | Peter B. Ellis, Ruthie Aslan, Steven Sprung, Christian Kinnard, Jeff Hall, John Peter Bernardo, Jeff Groth, Lisa Lassek, Joel Goodman, Spencer Houck, William Marrinson, Jim Towne, Garret Elkins, Larry Bock, Jeffrey M. Werner, Luke Guidici
Cameras | ARRIFLEX D-21 Camera
Walking with Dinosaurs 3D (2013)
Directed by | Barry Cook, Neil Nightingale | Cinematography by | John Brooks | Editing by | John Carnochan
Cameras | Red Epic Camera
Seventh Son (2014)
Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell
Cameras | ARRI ALEXA Camera
X-Men: Days of Future Past (2014)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
