Color | 3927 Titles
Undercovers (2010)
| Cinematography by | John B. Aronson, John S. Bartley, Michael Bonvillain | Editing by | Jill D'Agnenica, Mark Conte, Mark Goldman, Christopher Nelson, Mary Jo Markey
Cameras | Red One MX Camera
Criminal Minds: Suspect Behavior (2011)
| Cinematography by | Bing Sokolsky | Editing by | Casey O. Rohrs, Janet Ashikaga, Lisa Bromwell, Joseph Virzi, John Wesley Whitton
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
The Chicago Code (2011)
| Cinematography by | Rohn Schmidt, M. David Mullen | Editing by | Jordan Goldman, David Kaldor, Rick Tuber, Dody Dorn, Dorian Harris
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Escape Plan (2013)
Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg
Cameras | ARRI ALEXA Camera
I, Frankenstein (2014)
Directed by | Stuart Beattie | Cinematography by | Ross Emery | Editing by | Marcus D'Arcy
Cameras | Red Epic Camera
Rio 2 (2014)
Directed by | Carlos Saldanha | Cinematography by | Renato Falcão | Editing by | Harry Hitner, Randy Trager
The Cape (2011)
| Cinematography by | John Newby, Michael Negrin, Barry Peterson | Editing by | Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
No Ordinary Family (2010)
| Cinematography by | Oliver Bokelberg, Joaquin Sedillo, David Boyd | Editing by | Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Glee (2009)
| Cinematography by | Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki | Editing by | Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold
Paranoia (2013)
Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford
Cameras | ARRI ALEXA Studio Camera
The Company You Keep (2012)
Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day
Cameras | ARRICAM Lite (LT) Camera
The World’s End (2013)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Sin City: A Dame to Kill For (2014)
Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRI ALEXA M Camera
Lenses | Fujinon Premier Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Desperate Measures (1998)
Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy
Cameras | Panavision Panaflex Platinum Camera
Scary Movie 5 (2013)
Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig
Cameras | ARRI ALEXA Camera
