ARRIFLEX 35mm Cameras | 649 Titles
Tôkyô kazoku (2013)
Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii
Cameras | ARRIFLEX 535 B Camera
La grande bellezza (2013)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Grandmaster (2013)
Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Trilogia II: I skoni tou hronou (2008)
Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos
Cameras | ARRIFLEX 535 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Prisoners of the Sun (2013)
Directed by | Roger Christian | Cinematography by | Ed Wild | Editing by | Valerie Haaf, Alan Strachan
Cameras | ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera
Lenses | Angenieux Optimo Zoom Lenses
Day of the Falcon (2011)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Switch (2011)
Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary
Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Le fils à Jo (2011)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin | Editing by | Elodie Codaccioni, Sandro Lavezzi
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Emperor (2012)
Directed by | Peter Webber | Cinematography by | Stuart Dryburgh | Editing by | Chris Plummer
Lenses | Hawk V-Lite Lenses
Defiance (2008)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Soshite chichi ni naru (2013)
Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda
Cameras | ARRIFLEX 535 B Camera
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
Jack Ryan: Shadow Recruit (2014)
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Amazing Spider-Man 2 (2014)
Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Pursuit of Happiness (2001)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian
Cameras | ARRIFLEX 35 Camera
Lenses | Angenieux Lenses, Cooke Lenses
RED 2 (2013)
Directed by | Dean Parisot | Cinematography by | Enrique Chediak | Editing by | Don Zimmerman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk V-Lite Lenses



























































