ARRIFLEX 235 Camera | 162 Titles
Burlesque (2010)
Directed by | Steve Antin | Cinematography by | Bojan Bazelli | Editing by | Virginia Katz
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
The Bounty Hunter (2010)
Taken 2 (2012)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras
Faster (2010)
Directed by | George Tillman Jr. | Cinematography by | Michael Grady | Editing by | Dirk Westervelt
Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Death Race (2008)
Directed by | Paul W.S. Anderson | Cinematography by | Scott Kevan | Editing by | Niven Howie
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Judy Moody and the Not Bummer Summer (2011)
Attack the Block (2011)
Directed by | Joe Cornish | Cinematography by | Thomas Townend | Editing by | Jonathan Amos
Lenses | Cooke S4 Lenses
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by | Betty Thomas | Cinematography by | Anthony B. Richmond | Editing by | Matt Friedman
Lenses | Cooke S4 Lenses
300 (2006)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
